Once Upon A Time… Gothic Romance Tales: Airs Above The Ground

Once upon a time, I read romances.

First of all, they were plentiful in my youth. Not only did the popular paperback novels go from house to house as the adults around me swapped and traded books, but one of my aunt’s neighbors worked for a mall bookstore and he often went (against rules of his employment) and raided the dumpster for the paperbacks which were dumped after the covers had been torn off and returned to the publishers for credit, sharing the free books with anyone who would show up to grab copes when he put out the call.

Second of all, when in junior high our family moved a few miles away from that home near extended family, I ended up at a new school. A shy bookish sort, I was sorely in need of a friend, so when befriended by a fellow reader, I tried to read what she did. And she read romances.

I quickly gave up her favored Harlequins and turned to the bit more complicated, less predictable, suspense and Gothic romance novel varieties. But the shared romance novel reading ended quickly — even before she stole my first boyfriend.

I can’t say that the devastating loss of “Skip” hasn’t tainted, by association, any appreciation of the romance genre (they are forever tied together in my mind), but I honestly had been bored and annoyed with romance novels prior to that tender teenage heartbreak experience. Really. When I was about eight, I had practically gone from horse stories to non-fiction, so I felt silly reading predictable sappy love stories.

Yet, whenever I’ve spotted a Mary Stewart or Phyllis A. Whitney novel, I must confess, I’ve felt a fondness…

At first I told myself that this was some simple sense of nostalgia, memories of early years happily reading at my grandparent’s house while the adults played cards combined with the remembrances of myself as an wistfully romantic girl. Such things would make romance novels seem comforting — like pulp versions of turkey pot pies. Yet there there seemed something more…

Something compelled me to remember these authors and their books favorably after all these years. If I was ever going to know the truth, my truth about these books, there was only one thing to do: give in, purchase a few, and read them.

mary-stewart-airs-above-the-groundI selected Mary Stewart’s Airs Above The Ground to read first because I knew it was not one I had read before (surprising as the book boasts of the beautiful Lipizzan stallions I was so dreamy about as a youngster) and figured that would remove the potential of too much nostalgia.

My copy is a 1970 printing (thrift store score for a dollar or less), but the work was copyrighted in 1965 (a year after I was born!) and that means there are some beguilingly sexist passages for a feminist reader like myself.

On page 216, “our young wife’s” husband asks her if she can manage the “hellish” walk that lies before them in the dark; this is our heroine’s response:

He was already leading the way at a good pace. The question, I gathered, had been no more than one of those charming concessions which make a woman’s life so much more interesting (I’ve always thought) than a man’s. In actual fact, Lewis invariably took it serenely for granted that I could and would do exactly what he expected of me, but it helps occasionally to be made to feel that it is little short of marvellous for anything so rare, so precious, and so fragile to compete with the tough world of men.

On page 219, along the “hellish” walk:

For me the night had held terror, relief, joy, and then a sort of keyed-up excitement; and drugged with this and sleepiness, and buoyed up by the intense relief and pleasure of Lewis’s company, I had been floating along in a kind of dream — apprehensive, yes, but no longer scared; nothing could happen to me when he was there. But with him, I now realized, it was more than this; more positive than this. It was not simply that as a man he wasn’t prey to my kind of physical weakness and fear, nor just that he had the end of an exacting job in sight. He was, quite positively, enjoying himself.

Another favorite, from page 234, about Timothy, the son of the friend of the family who accompanies her on this mystery adventure:

Something about his voice as he spoke made me shoot a glance at him. Not quite authority, not quite patronage, certainly not self-importance; but just the unmistakable echo of that man-to-woman way that even the nicest men adopt when they are letting a woman catch a glimpse of the edges of the Man’s World.

When one removes (or forgives) such things, as (or if) they can, and reads for the story itself, what remains?

mary-stewart-airs-above-the-ground-backOfficially billed as a “romantic suspense story” (presumably not officially labeled “Gothic romance” as it only has the air of the supernatural; there are more logical reasons for creepy mists and the seemingly impossible), Airs is not so much a will-he-ever-love-me romance as a is-my-man-a-dirty-rotten-creep mystery. This, of course, appeals to my jaded personality. So I quickly devoured the 255 pages, wondering if he is a creep, what his weak-arse story will be — and if Vanessa will fall for it (or, maybe, fall for the much younger Timothy?)

I won’t ruin the book for you with too many details or the outcomes. (However, I must tell you that the promised backdrop of Royal Lipizzan Stallions isn’t as rich and predominant as a horse-lover might like… But I’m supposed to have outgrown that romance too, right?) The bottom line is that Airs Above The Ground is, as far as expectations for a bit of romantic suspense fiction goes, pleasantly complicated enough not to be predictable.

It won’t win any awards from me; it is what it is. But I cannot disparage it. And maybe that means I ought not disparage the genre… A few more books will tell.

Cheap Thrills Thursday, Retro Halloween Edition: Barnabas Collins Game

A character in the Gothic soap opera television series, Dark Shadows (1966 – 1971), Barnabas Collins was a long-suffering vampire — tormented both by his status as a blood drinker and his doomed romance with the beautiful Josette. But none of this really matters when it comes to playing the Milton Bradley Barnabas Collin’s game; it’s just a “scary” game for the kiddies.

original-barnabas-collins-game-box-and-parts

I only paid $1.50 for the game (# 4003, copyright 1969, Dan Curtis Productions, Inc.) at a thrift store; the original store price tag was $3.99. (Ha! Take that, inflation!)

Our game is complete, save for the toy fangs which, while originally included in the game box, were “not part of the game” and ” to be used by the owner of the game when playing the role of Barnabas” (printed inside the box’s lid — twice). Of course, kids being kids, there’s also the proviso that “they should be washed before a player uses them.”

The game is rather like hangman — at least visually. Only instead of trying to spell words, you spin the spinner and try to build your glow-in-the-dark skeleton by “hanging” him, piece by piece, on the cardboard scaffolding.

making-skeletons-in-dark-shadows-barnabas-collins-game

Each of the 2-4 players takes a turn spinning, hoping for the chance to collect bones/parts from the coffin. In order to begin building your skeleton, you’ll need either the skull or the body piece; so the first few spins can be anti-climactic. When the spinner lands on the ring, it’s like a wild card; the player chooses any bone, skull or body piece from the coffin.

winning-move-dark-shadows-gameBut beware, you could land on the wooden spike space! When you do, you’ll need to take a wooden spike from the coffin; collect three of them and you’ll need to remove a bone from your skeleton (and then you may return the three spikes as well). There is an “advanced game” option, in which the player with the three spikes may challenge a player of his/her choosing to a “Vampire Duel.” (They take turns spinning to see who will spin the ring space first. If it’s the challenger, the s/he doesn’t lose a bone; the challenged player does. If the challenged player wins, the challenger must remove two bones from their skeleton.)

As game play is based upon the spinner, there’s very little strategy involved (other than having luckily guessed to use your wild ring spin to get an upper arm when your next turn gives you the lower arm, etc., it’s all chance), making it rather simplistic (even for the ages 6 to 14 stated on the box). But it’s certainly a cheap thrill — on any day of the week.

And it’s cool for Halloween — though it’s not anywhere as scary as indicated in the original television commercial (I doubt it was seen as scary then either).  But before you watch it, here’s an FYI: if you’re a Dark Shadows, Gothic fan, or just a Johnny Deep nut (perhaps all three?), Depp’s apparently signed to play Barnabas Collins in Tim Burton’s film adaptation of Dark Shadows.

Now for the word from our retro sponsor:

http://www.youtube.com/watch?v=c16h616Fw0A

Big Bottom Girls Are About To Make The Fashion World Go ‘Round

In 3,500 stores, Walmart will be doubling the space given to Hanesbrands’ plus-sized apparel line Just My Size — an extended line of Just My Size women’s clothes, including dress pants, sweaters and other merchandise beyond the underwear and jeans.

Hanesbrands research found that 60 percent of women shopping at Walmart fit plus sizes, said John Marsh, senior vice president and general manager of the manufacturer’s casual-wear division. About 40 percent of overweight women are comfortable wearing clothes designed as plus size, rather than buying extra-large of regular garments, he said.

Average sized women (for that’s what size 12 and up is!) are comfortable with the “plus size” label because we know that honest-to-goodness clothing designed at a plus size is made to fit bigger bodies; you don’t just add an inch or more all over and think, “Well that’s that! Now it will fit.”

This reminds me of last week’s episode of Shark Tank

gayla-bentleyWhen fashion designer Gayla Bentley appeared, asking for a $250,000 investment (for a 20% stake) in her company so that she could make beautiful clothes easily accessible for large women by expanding her business to include a store to cater to them (and better brand herself), she was met with the a-duh moment from a supposedly savvy investor.

Kevin O’Leary, ever-arrogant (and admittedly the show’s love-to-hate guy), said, “Is it possible that larger sized women (and don’t beat me with at stick) don’t care about fashion as much?”

As if a 60% market share were just that easily ignored (that is has been is an enigma wrapped in a bitter wienie coating), Bentley (completely charming as well as intelligent and talented) continued to educate he and other doubters with  the facts, including her own success; currently the designer sells her products wholesale and online and last year her sales were $500,000. (Yet no bank would give her a loan.) You can watch the episode here (and find out more at Wallet Pop, but the final outcome was that Barbara Corcoran and Daymond John (of FUBU fame) went in 50-50; now we just have to wait to see Bentley’s efforts to bring real plus size designer fashions to department stores near you & I.

While I’m in no way comparing Just My Size &/or Hanesbrands to Gayla Bentley’s fashions or those by any actual designer, I am encouraged that big business is beginning to see big T n A as a way to fatten their own bottom lines.

Weekly Geeks: Organization & Inspiration

This week’s Weekly Geek is “Tools Of The Trade”:

Book blogging, as a concept, is essentially pretty simple: If you have Internet access and an opinion about a book, you can be a book blogger. However, actually maintaining a book blog is much more complicated — our blogs are labors of love that require a lot of time, energy and devotion. For this edition of Weekly Geeks, I want to focus on the little things that make your blogging and/or reading life a bit easier. …Tell us about what makes your blog tick. Is there something specific that keeps you organized or inspired?

weekly-geeks-book-pileHowever the answers they seek — at least from me — are far less about physical or digital assistance; I need mental help *wink*

On one hand, my deviation here might stem from the fact that I do not describe myself as a “book blogger.” As a reader, bibliophile, accumulator, collector, researcher, I have many reasons to read books; as a person suffering from logorrhea, I naturally talk about what I read — and how what I read fits into or connects with my life, collections, work, other reading, etc. Anywhere I write/blog, no matter the subject, books and other publications pop into the conversations, even though I’ve never been dubbed “the book blogger” or had my column called “about books.”

On the other hand, it seems I’m always slightly tilting meme questions… So here goes more of the same.

Remaining organized and inspired as a reader who writes about books involves, for me, the very same challenges as it did before I was stuffing the tubes of the internet with words about books.

My organization, of which I admit a general lack of, still depends upon the traditional use of stacks. Not only the stacks of “to be read” books, which I think all readers have to some degree of toppling nature; but stacks of “to be blogged about.” I keep at least two stacks which assist my blogging progress.

One right at my desk, so that I cannot over look them (try as I might) because they will soon slide onto my keyboard.

desk-stack-of-to-be-reviewed

Another, primarily library books so that they do not get lost in the milieu, usual sits near the sofa for reading; their very public placement is a reminder to read (and, typically required, renew) them before I accrue fines. (When it’s time to review a few, the whole stack is then moved to sit precariously atop of my pc’s case.)

stack-of-library-reading

Remaining inspired is not typically a problem; I am the sort of person who easily becomes obsessed — with the reading of, talking about, and further researching about what I’ve read. But what I and my blogging suffer from are what I call inertia issues

Bouts of reading do not wish to be interrupted by reviewing; bouts of reviewing do not like to be hampered by not having read anything new; bouts of research/reading in one area ignores others. These things, of which time and personality are both critical factors, can make for series of posts that skew my blogging heavily. Which is to say that new visitors to my blog who happen by during a period in which I’m heavily into one activity or interest — and by virtue of not sharing that interest — may leave quickly, not seeing their more shared interests lay, like layers of an onion, deeper within.

I do try to remember these possibilities and address them.

Using blog carnivals (such as — shameless plugs — the Book Reviews Blog carnival which I’m hosting on the 25th and the New Vintage Reviews carnival, which includes books, that I host monthly), helps remind me. Submission due dates are reminders that post must be written.

But primarily I keep an eye on my stacks. And they on me. The growth of all of my stacks — through their tumbling acts — nags. This creates a balance at the blog which does really exist within myself or my habits.

As my “to be reviewed” stack slips precariously towards my keystroking fingers, I try to avoid being annoyed at the disruption and take it as a cue that I’m more than a little behind in my reviewing. As the family sighs at having to operate around my stack of library books, I try not to let that upset the reader in me who wishes for more time to read, but acknowledge that, yes, I am a more than a little behind in my reading.

I’m always a little behind in my reading.

marilyn-monroe-behind-reading

History Is Ephemeral Carnival, 6th Edition (A Thursday Thirteen Edition)

Welcome to edition number six of the History Is Ephemeral Carnival, where ephemera lovers share the history behind their obsessions.

(If you’ve got posts about old paper and other ephemera, please submit them for next month’s carnival via the carnival’s submission form!)

Because there are 13 links in this edition, this post is also a Thursday Thirteen!

#1 History Cellar shares a Boston Restaurant Dinner Menu from the 1860’s over at The History Cellar. Can you afford the Potted Pigeon?

#2 Derek talks Irish Republic Bonds (from the 1860s – 1880s) at Collectors’ Quest. Do you know what they have to do with one of the earliest attempts to build combat submarines and plans to take over Canada and hold it for ransom?

#3 Yours truly has one of her antique postcards displayed in a museum; the story is posted here at Kitsch Slapped. (It’s so thrilling!)

#4 Jianfeng presents images which remind him of his grandfather in China’s Civil War in The Big Retreat in 1949 and My Grandfather posted at Jianfeng’s Blog. I think it shows how the details of individual stories somehow make things universal.

#5 Collin talks about The Brush Project at Collectors’ Quest. I never thought about it before, but artist brushes certainly are ephemeral.

#6 Yours truly interviews Troy Pedersen, owner of a real world vintage magazine store — in my neighborhood! Aren’t you jealous!

#7 Cliff, with the help of John Gingles of JG Collectibles, gives us A Peek at a Rare Harry Houdini Signed Photograph at Vintage Meld. Included is a tip on how to preserve and display such unique items.

#8 Frank reflects on This is Ephemera: Collecting Printed Throwaways, by Maurice Rickard at his blog, Antiquarian Holographica. Find out why Frank recommends the book and appreciates it for what others might call its short-comings.

#9 Val Ubell dishes about Silent Star Lucille Ricksen from an article in a 1925 issue of Jim Jam Jems over at Collectors’ Quest. I collect Jim Jam Jems myself, but don’t yet have that issue — so now I’m even more hot on the issue’s trail.

#10 Yours truly will be a presenter at the first Bookmark Collectors Virtual Convention. More details to follow at the official convention’s website; subscribe for updates!

#11 History Cellar shows us the Record of football deaths and injuries in 1900 at The History Cellar. Are things better or worse in the sport now?

#12 Yours truly finds out that her laminated in-flight instruction card for TWA’s Convair 880 jet holds a place in aviation disaster history, at Collectors’ Quest. Maybe you have items to help with the memorial?

#13 And if you’re not too sick of me &/or ephemera already, I’ve been interviewed on The Ephemera Show! Check out the podcast here.

While you’re here, let me also remind you that today’s the final day to submit for this month’s New Vintage Reviews Carnival — and, I’m hosting the next Book Review Blog Carnival. Please submit your posts!

Falling In Love With A Southern Character: Miss Isabel

I discovered a new character and fell in love with her, but I didn’t find her in a book, a film, or even in my piles of ephemera — I found her when I found that auction for the antique vampire killing kit (and now, all of you who haven’t yet read about it will, with tiny mouse clicks, stampeded away in giant droves; but I patiently, digitally await your return).

Miss Isabel Person of Port Gibson, Mississippi, is more than just some older southern lady who passed away this last January, leaving an estate of fine antiques — although you wouldn’t really know it unless you stumbled into her nephew’s narrative, published at Stevens Auction Company. I know we are all more than our possessions, more than our distinguished and character-ridden family trees, but usually these are the things I truly see when physically present at auctions and estate sales, or discover through books &/or research; in this case, I fell in love in just 1600 words.

Of course, the writing by her nephew, Jim Person, certainly helped.

In the first paragraph, his line, “The house was filled with wonderful objects from all over the world and, to a child, the furniture was so huge that the pieces took on personalities of their own,” proves that he is, like I, an imaginative soul who appreciates the romance of objects, making the reading of his abbreviated story of Miss Isabel a delight.

I drank in the history of her family and their times, and I chuckled at the young Miss Isabel who blamed the college laundry for shrinking her clothes before realizing the true culprit behind the freshmen ten. But this is the paragraph which perhaps best sums up my affection for this special lady I’ve never met:

Miss Isabel never married, although she definitely liked men. She was very attractive, impeccably dressed, intelligent and the life of the party. And did she like to party. She enjoyed company and drink and indulged in both into her 90’s. She used to tell me about her great friend Lambert Huff, somewhat of a rounder, but an intelligent businessman and a charming person. After a few drinks Lambert would often ask Isabel to marry him. Miss Isabel, after a few drinks of her own, would invariable reply, “Lambert, if you think I would marry you, you must have taken leave of your senses.” I like to think that Miss Isabel was a modern woman and that during her marriageable years, the 1930’s and 40’s, the institution of marriage, as it was at the time, was not something that she was interested in. Maybe she would be more interested in a modern marriage where men and women are on more equal footing. Miss Isabel was not one to be on unequal footing with anyone. On the other hand, she was so fiercely independent, that it is hard to see her agreeing to even equal footing.

We continually hear of (and I myself write about) how women had less choices in the past, and all this time there’s been Miss Isabel bucking the system in grand style. Sure, there are and have been other “Miss Isabels,” but this one was a southern belle with a vampire killing kit in her attic, entertaining rounders — all while, I imagine, a great twinkle in her eye.

I wanted a photo of Miss Isabel — if not an antique one I could fame and display as my adopted Aunt Isabel, then a digital one I could study for the twinkling eye and other secrets. So while on the phone waiting to speak to someone at Stevens Auctions about the historic vampire kit, I decided I’d also ask about a photo of Miss Isabel.

Before Dwight Stevens himself was on the phone with me, another good southern gentleman (whose name I didn’t catch) tried to help me. When I mentioned my affection for Miss Isabel, he regaled me, in the tremendous southern story-telling style, of a story about her.

The story goes (in my not-so-fine southern story-telling way) that one day the chief of police was riding by the golf course and spotted Miss Isabel chasing after a golf cart. Apparently in one of her daily golf games, her group had decided to leave before Miss Isabel was ready and she sprinted on after them. The police chief was impressed by her speed — especially for a lady of 70 years. But as it turns out, Miss Isabel was already 90 years old.

This story must be a classic Miss Isabel story, for when Mr. Stevens did come to the phone to speak with me, he too told me the story of the 90 year old sprinting after her golf cart.

When I asked about Miss Isabel, about the possibility of obtaining a photo, Stevens told me that he found that in poor taste; Miss Isabel had just passed in January, you see. I felt like a classless (northern) idiot.

I told him that I had no wish to be inappropriate or disrespectful, I was impressed and charmed by Miss Isabel — would he be able to put me in touch with the nephew who had written the lovely piece about her? Stevens said he had no contact information for the nephew, but perhaps he would run into him when traveling next week. I hope he finds Miss Isabel’s nephew and that Mr. Person is willing to speak with me about his aunt — maybe even share an old photo I can study… Keep your fingers crossed, dears!

As if seeing an actual antique vampire kiling kit weren’t cool enough, I’d love to travel to the auction on Halloween and walk among Miss Isabel’s things — and at her own home to yet, as the auction will be held at her house in Mississippi. In fact, the auction preview on Friday, October 30, 2009 is also at her home and will even conclude “with music on Miss Isabel’s porch, a tradition in Port Gibson.” Mr. Person says Miss Isabel’s house, “although showing some neglect (Miss Isabel could afford the maintenance but couldn’t stand the inconvenience), is still a beautiful thing to see.” Oh, if only… *heavy sigh*

miss-isabels-house-mississippi

Grandma Was A Swinger: Estate Sales & The Ephemera Of Women’s Lives

I have a habit of making stories from nearly anything. I see a person on the street, I give him or her a name, an occupation, a mood, a spouse or other family member, and a mission. In line at the grocery story, I love to watch what people are buying. A lovely, or hysterical, little vignette emerges. (One time, it was a man at 12:30 at night purchasing a huge bottle of vodka, kitty litter, and a Cornish game hen. The vodka bottle was nearly the size of the kitty litter canister. I had to keep myself from advising him not to sit down with the bottle until after he fed the cat — even if the hen was for the cat, sooner or later, a hungry cat will eat a passed out human.) Anywhoooo…

Visiting estate sales allows me to see more than things to buy; I see a life. A few objects create a sketch, a few more inks it in, and then my mind paints in all the rest. I can’t help myself. And I believe it’s not just more exercises for my imagination; I learn a lot this way.

At a recent estate sale, I discovered the recently deceased woman had been a bookkeeper, extremely active at the nearby church, and an excellent bowler. But there was more. I was lucky enough to find (and purchase) a few raunchy old pulps and a paperback on open marriages — extra bonus material included a bookmark at the chapter on renewing the contract, and a few Polaroids of the woman in her 1950’s wearing office attire in pinup poses. In order to not let her sons (who were running this estate sale) learn things they may have lived this long without knowing, I bought a whole bunch of stuff so that they’d be too busy tallying my bill to really see my items and do the math on their mom’s life.

Working at another estate, where ‘Grannie’ was moving to an assisted care facility, there was a lot of clutter. For practical reasons, it seems. Hidden in plastic waste cans, desk drawers, floor cubby-holes, were half-full (or half-empty, for you pessimists) bottles of booze. Mostly cheap sherry & brandy. So cheap was this hooch, I’d imagine you couldn’t tell one ‘flavor’ from the other — or from rubbing alcohol for that matter. Now we knew more about where ‘Grannie’ was moving and why. We just disposed of the bottles as we found them, without a comment, so as not to embarrass the family. We also found an overwhelming number of unfinished sewing and needlework projects; idol hands really might be the devil’s workshop.

I have been to more estate sales than I can count where the now-deceased elderly woman had been to art class in her younger years. Yes, she studied figure drawing — nude figure drawing. If I am lucky, I get to buy the portfolio. Often, I am not so lucky; but I do get to at least leaf through them. I do think ladies today ought to be educated thus. It’s something we, as a culture, should not have stepped away from.

This all gets me to thinking… Upon my death, at my estate sale, people will draw conclusions about me. Folks may think I took a nude figure drawing class — at least until they read the various names and dates on the drawings. They might think I had an open marriage. Lots of folks will think, due to my huge collection of pinups and vintage erotica, that I was a lesbian; people do it now.  Perhaps I should leave notes.

But women do leave notes. In fact, they document their whole lives. Especially those women who were wives and mothers. There’s a certain pattern to a mom’s life, and in these homes of women who have passed on, you see the evidence of it.

There are the piles of scrapbooks, letters, photos, and correspondence of intimate connections. The trail begins with cards, notes, and photos with written clues to romance. Perhaps there are diaries. Soon there are stacks of ‘baby books’, family photo albums, depositories of greeting cards, postcards, letters and other clues of a new family and social attachments. (As the family grows, whatever personal diaries there were may now cease; she is too busy caring for her family to document and journal her own life in a diary.)

As the children get older, these scrapbooks turn into group things. Work newsletters, bowling league gazettes, church group & luncheon publications… She continues her habits of saving and, if lucky, pasting. As the children age, she becomes an empty-nester, and the social group activities are intermittently interrupted with family wedding invitations, announcements of new born babies, thank-you-for-the-gift cards, and a few obituaries here and there. Some of the wealthier women traveled, and you’ll find volumes full of travel itineraries, plane & boat tickets, postcards, photographs and other travel souvenirs. But just as the books became less and less about family, so the books eventually become less and less about the living.

Too soon the scrapbooks become filled with page after page of obituaries, memorial service bulletins, the occasional thank you card from the younger generation for the flowers… Even if the obits are punctuated with the occasional wedding and birth announcement clippings, there are no cards, or handwritten notes, just newspaper clippings. Proof that human interaction is limited, the only handwriting now is the feathery-script of the woman making the book; a single script places the dates below the clippings. The scrapbook is a one-woman — one-way — endeavor. She continues to chronicle the past rather than the now. To fill her day as well as the books, she includes newspaper articles on ‘Remember When’ and ’50 Years Ago Today’ stories. These clippings dot the obits with more socially-sterile tanned documents of death and loss…

There you stand, holding these books, this evidence of life which was cut, pasted and collected by this woman who has passed on. In some cases, all you find are the drawers and boxes of intentions — loose papers that had patiently out-lasted their acidic attacks to survive the great “some day” when they would be placed into books to tell their stories; their brittleness a testimony to the bitterness of time that ran out.

Yet, when you bring the stacks of lovingly made books &/or old saved ephemera to the living, they say “Go ahead and sell it. Or pitch it if it’s not worth anything; I don’t want it.”

I cringe when they say that.

But I do as I am told, praying that someone will come along and adopt these books and boxes of ephemera, in some fashion adopting these women & their families — if they are willing to see the dead-paper forest for the trees of individual auction-priced items.

But sometimes, it’s what you don’t find which illuminates the most about lives.

Once I was working with my mom at an estate sale. We were clearing out the master bedroom when she opened the nightstand drawer and squealed so loud that I quickly turned from the closet to look. My mother stood clutching an item in her hand, her face was flushed and her eyes begged for help. “I shouldn’t have picked it up,” she said. I came over, removed the item from her hand, and discovering one of those small clothing shavers (the kind that you use to remove pills on your sweaters etc) I said “What’s the matter with a sweater shaver?” My mother sighed, her shoulders relaxed and she said “Oh, I thought it was a… well, you know…” My mother had thought it was a vibrator.

This, of all the finds over the years, has me thinking the most: Why haven’t I ever found vibrators at estate sales?

You might be quick to say that the families had already cleared the home of such things, out of a sense of propriety perhaps. But I’ve cleaned too many nightstands, bathrooms, closets, and under too many beds. I’ve found too many family skeletons, dark secrets, and old people diapers to believe this is the reason.

I’ve found all the ephemera documenting the most intimate parts of their lives, including their love lives. What’s more, I’ve found evidence of their sex lives — be it the old letters, pulp novels, erotic works, or ‘just’ their offspring. But never a sex toy.

I find it hard to believe that loneliness, drinking, sewing, bowling, church activities, and cut & pasting from the newspaper replaces the need for sexual gratification. It doesn’t work now, at the age of 45, so why would it be enough at 92?

Do families worry more about ridding mom or grandma’s home of her pocket rocket more than they do adult publications or evidence of other bodily functions? Could it be these women really have no sex drives? Or, even though vibes and sex toys have been around for ages, were these women unaware they existed — or without means to get themselves one? Or is there some other reason I do not find vibrators when preparing for estate sales?

Whatjamacallit Wednesday: Myrtle The Turtle

My mother is the one who started it, this tradition of making up silly songs to sing to your kids. I’ve twisted it onto singing songs about my children, usually silly rhymes sung to melodies from television themes songs — like Hunter’s Boo-Bear, Meet The Boo-Bear based on The Flinstones.The kids used to love it, but then they grew older and not-so-much… I must now wait for them to grow old enough to appreciate them again.

One of Allie’s favorites was grandma’s Myrtle The Turtle who would “swim any hurdle — just to be near her Allie.” So when I found this Myrtle The Turtle, a story by Ernestine Cobern Beyer (illustrations by Mildred Gatlin Weber), inside the July 1964 issue of Wee Wisdom, I instantly thought of Allie and began singing the song. Thank goodness I was home alone flipping through the pages & singing, or… Well, let’s just say that if the kids who know the songs and presumably love me no longer can rise above my crazy singing to enjoy the special memories created by such silly songs, how can I expect the general public to?

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My mom bought me this vintage copy of Wee Wisdom when we were out antiquing together because she know how much I love Great Danes. Now that I’ve found Myrtle in here, I wonder if she’ll want it back? …I myself am tempted to remove the Myrtle pages (ack!) and frame them for Allie for Christmas. Better yet, just make really high quality scans, print two great copies and frame a set for each of them… (If either one of them pop in here, all bets — and gifts — are off.)

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Brown-Baggin’ It With An Anthology Based On Found Ephemera

requiem-for-a-paper-bag-found-anthologyRequiem for a Paper Bag: Celebrities and Civilians Tell Stories of the Best Lost, Tossed, and Found Items from Around the World is a Found Anthology put together by Davy Rothbart, creator of Found Magazine. In this collection, Rothbart gave his famous hipster (I say hipster, because when a book begins with multiple references to both ramen noodles and found porn, what else can you say?) friends an assignment: Share a personal story about something fascinating that you yourself have found, or write a piece of fiction sparked by a particular find.

The resulting works are a feast for anyone who has found something and pondered the meaning or occasion of it — and yes, I mean anyone. Because you don’t have to be an ephemera collector to have found a found scrap of paper, a photograph stuck in a book, some trinket and have either wondered or even made up a story about it yourself. (And if you say you haven’t done it, I’m calling you a dirty rotten liar!)

Like any well-done anthology, each of the of 67 pieces submitted by the celebri-hipsters is, ramen noodles and porn aside, a unique little gem.

Seth Rogen’s Wet & Wild may not have been shocking to me (I’ve got my own experiences with found porn; and who would be surprised Rogen would have a connection to porn?) but, like Steve Almond’s No Panties Allowed, the narrative adds to our collective illumination into the discomforts on the way to personal discoveries about sexuality.

Byron Case’s Trash Night reads so much like a memory of my own that even though I’ve never been lucky enough to make trash picking more than an annual event, I found myself nodding and laughing conspiratorially.

requiem-for-a-paper-bag-pageSarah Vowell’s What Else I Know About U.S. History (a written response to a scrap of note paper found by Rona Miller of South Bend, Indiana) is so very Vowell in voice, that I can hear the emo as if she’s speaking the piece — and yes, that’s a fabulous thing.

And while Bich Minh Nguyen’s quote probably remains the most poetic, it’s Heidi Julavits’ Woodstove Girl which is the most haunting for me… It lingers… I wish I knew if it was real or a fiction piece.

Overall Requiem is a tasty dish, suitable for deouring in one leisurely buffet-style meal or for savoring in snatched snack-sized portions ala carte.

Roofies In 1910

“Serious Charges Preferred Against Rich Furniture Dealer by Department Store Girl,” so reads a headline published in The Fargo Forum and Daily Republican, June 25, 1910; below the headline, a photograph of one Sadie Finklestein, “who has brought suit for $25,000 damages against a rich merchant. Declares that he drugged and mistreated her.”

What follows is a rather incomplete story, said to have taken place on January 15, 1910, in which Sadie S. Finkelstein “an 18-year-old-girl” (not an 18 year old woman) claims to have been drugged by one “Samuel Lyons, a wealthy west side furniture dealer.”

Finklestein and her friend, Sophia Mitchell, had just left a matinee and were eating ice cream in a store, when Lyons entered, accompanied by a “Louis” who is identified by his address and his status as a manager in one of Lyon’s stores. Finklestein was then introduced to Lyons by Mitchel, presumably their mutual acquaintance, upon which Lyons invited the women to Sullivan’s saloon for a lemonade. The women accepted.

“When I first placed the glass to my lips I noticed a peculiar taste to the lemonade, but thought nothing of it at the time. Soon, however, I began to feel dizzy and my head swam around and around until I almost lost consciousness. I immediately asked to be taken out into the air, where I thought I would feel better, and Mr. Lyons assisted me to the street. Taking me by the arm he led me to the rooming house at Thirtieth street and Wabash avenue, where I willingly went, not knowing the nature of the place and thinking he was endeavoring to assist me.”

The article then continues with the testimony of the next person to take the stand — a person identified only as “Hirschfeld” — who “denied that Miss Finkelstein had been drugged and stated that they remained in the hotel but 20 minutes.”

I don’t know how this Hirschfeld is connected to events or persons in this story. Is Hirschfeld the manager of one of Lyon’s stores — the afore mentioned Louis? Maybe he (if it is a he) is the owner of the non-respectable rooming house?

But if that drives one crazy with curiosity, the article simply ends with detailed description of Lyons’ businesses (presumed wealth) and even more detailed description of Lyons himself: “He sat through the session with a passive expression on his face, from which he constantly wiped the perspiration with a handkerchief.”

And so I am left wondering about the oldest (quasi) detailed account of a date rape drug related crime I’ve ever read. I shall have to return to the public library’s microfilm to search for any possible additional information, for the internet is of very little help…

The only Sadie Finkelstein I could find turns out to be a roaring 20’s Coe College hoax — most amusing in its own right, but certainly of no help to this story of a young woman who was quite possibly slipped a Mickey. And yes, the slipping of Mickeys was nothing new in 1910.

None of the names we are given turn anything up; the only lead lies in this sentence from the first paragraph: “Her story greatly resembles that told by Evelyn Thaw about Stanford White.”

Evelyn Thaw, aka Evelyn Nesbit, was involved in what was dubbed the “trial of the century” — the trial of her millionaire husband, Harry Thaw, for the 1906 murder of architect Stanford White. Apparently defending her husband, Evelyn Nesbit Thaw testified at the 1907 trial that she had been drugged and kept in a studio by White.

That Finklestein’s 1910 legal action would mention the Harry Thaw trials isn’t so surprising; after all, it wasn’t called “the trial of the century” for nothing. The Thaw trials were a sex scandal sensation, as Irvin S. Cobb, a reporter in 1907, explained:

You see, it had in it wealth, degeneracy, rich old wasters, delectable young chorus girls and adolescent artists’ models; the behind-the-scenes of Theatredom and the Underworld, and the Great White Way…. the abnormal pastimes and weird orgies of overly aesthetic artists and jaded debauchees. In the cast of the motley show were Bowery toughs, Harlem gangsters, Tenderloin panderers, Broadway leading men, Fifth Avenue clubmen, Wall Street manipulators, uptown voluptuaries and downtown thugs.

Did Sadie S. Finklestein’s saga suffer from a second-rate cast, relegating both she and her story to murky micorfilm and obsessive amateur historians while Nesbit continues to have books published about her? I continue to look for more on Sadie and her story; if you know anything, let me know.

Romancing The Van: Ephemera Proves There’s Someone For Everyone

Two years ago, hubby and went to the junk yard to get replacement doors for our van, Ookla. I was utterly fascinated with the junk yard itself and was almost disappointed when we found the right doors — but the adventure wasn’t quite over yet…

I sat down inside the van, to get out of the hot sun, while Derek went about the business of removing the doors from the junked van; I looked about. Clearly the last owner’s belongings had not been cleared out of the vehicle. Paper and trash were strewn about, but then there it was — a Playboy magazine. Water-damaged and smelling of mildew, but there it was, right next to a bottle of Axe body spray. Does it get any more kitsch than that?!

(Now, before I go any further, you should know a bit more about when we went to purchase Ookla, our old conversion van. When the salesman unlocked the vehicle and showed us the spiffy airline lights which ran along the floor and the ceiling, the first thing I said was, “Hey, was porn made in this van?” Both the salesman and Derek blushed. So I’m neither a prude nor surprised that the previous owner of this van was also marked with smut — it just seemed to be a sign that along with make, model and year, these doors were the right match for dear old Ookla.)

But before I could reach for that Playboy, my eye spotted something else…

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Yup, that there is a used tampon, folks.

I carefully reached for the Playboy. It was only the cover and badly damaged — but where there’s a cover… So I kept looking about, being very careful where I put any part of myself, least I find another tampon. Or worse.

Next, I spotted a notebook with a fancy silver foil cover. Only the first page was written on — a cheap attempt at fantasy fiction, with the main character discovering a magical notebook with a silver cover. (Yeah, I took that home for giggles later.)

I then found a bill for the van’s last oil change, paid for in 2005; been sitting here awhile, I guess.

I eventually found the insides of the Playboy and I put them with the magazine cover pages and the silver notebook just as Derek called for my help to hold the doors while he took out the last bolts.

I got out of the van, headed to the back. Standing there, just holding the doors, I scanned the insides of the van from this new angle. Immediately I note Star Wars light saber boxes — not one, but two of them. If the amateur sci-fi-slash-fantasy-fiction and Axe wasn’t proof enough of an under-sexed goober, the Star Wars weaponry was. This van was owned by a nerd. A nerd who, according to the oil change bill, had the first name of Jim.

Then I spy something else…

“Hey, Derek, what’s that by your foot?”

“Huh?”

“What’s that black thing by your foot?”

“I dunno. Let’s get this door off…”

We set the door down and I go to get a closer look at the black thing which was by his foot. It’s a bit of fabric… After the tampon, you’d think I’d be leery, but I had to know what it was, so I cautiously picked it up.

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In my hand I then held one very small pair of black nylon panties, bikini style — with lots of lace. I should’ve dropped them like they were on fire, but they were very, very clean looking. I started laughing.

Oh my God, it looks like Jimmy had himself a woman. At least once. A light-saber-playing, small-black-panty-wearing, menstruating, Playboy-accepting woman who could tolerate the smell of Axe.

There’s someone for everyone.

Book Review Blog Carnival Submissions Call

book-review-blog-carnivalEvery two weeks the Book Review Blog Carnival highlights special book reviews from book blogs across the internet; the most recent edition, number 28, is now up at Books For Sale?

I’ll be hosting carnival number 29 here, at Kitsch Slapped, on October 25th. So, if you’re a book blogger or otherwise have posted a book review or two (more?) at your blog, please submit your own book reviews for inclusion in the 29th edition of the Book Review Blog Carnival. The carnival is open to all genres — fiction, non fiction, children’s books, whatever!

Reporting On The Mayan Predicted Demise Of Our Planet

Early in 2010, Greta Sandler smelled the green, envisioning great commercial success in the “green” environmental movement. She cut and pasted digitally merged Shamanistic traditions and historical beauty tips, “recycling” non-attributed native sayings and public domain beauty advice into an ebook, Creating Inner Peace & Outer Beauty While Saving The Earth, published in April of that year.

One of Sandler’s most promoted save the earth beauty rituals was “100 Strokes For Healthy Hair & Animal Habitats.”

Before bed, give your hair 100 brush strokes while chanting: “Honor the sacred. Honor the Earth, our Mother. Honor the Elders. Honor all with whom we share the Earth: Four-leggeds, two-leggeds, winged ones, swimmers, crawlers, plant and rock people. Walk in balance and beauty.”

After completing the 100 strokes, remove the loose hairs from the bristles of your hairbrush and set them free outside as a gift to the earth and her creatures. As you give your offering, whisper your thanks and well-wishes for the creatures who may use your gifted hair to create homes and beds for themselves.

However, Sandler underestimated the viral nature of her YouTube video depicting the hair ritual. The video’s success led to Oprah Winfrey giving away Sandler’s ebook on her ridiculously popular “Oprah’s Favorite Things” holiday episode, which generated even more video sharing and adoption of the book’s philosophies. The cumulative effect was millions of vain and ‘proud to be green’ posers stroking their hair the requisite 100 times and setting the hairs free outdoors.

Such massive amounts of worldwide gifted hair would have disastrous consequences.

Giant hair storms appeared in America. The Bleach-Blonde Tumbleweeds of Los Angels, steady fodder for late night talk show jokes and Fark postings, quickly proved more than comical nuisances as they both fed and spread the flames of the September forest fires. The Grey Geezer Aqua-Nets killed thousands of dolphins and other marine life off the coasts of Florida and Mexico, leaving rotting corpses infecting waterways and spreading disease.

Sandler, now inspiring and empowering stay at home moms to sell her ebooks and line of green beauty products, such as wooden hairbrushes made by ‘indigenous peoples’, went on the media circuit, stating the free market had decided that neither she nor her movement were responsible for a few freak accidents.

Hipster environmentalist groups responded with t-shirts, bumperstickers, canvas tones and other activist merchandise with slogans like “Earth: Hair today; gone tomorrow. ” Their devotion to the cause consisted of public awareness campaigns — pithy practiced sound bites raging at the machine, designed to expose the public to their own swag more than expose the issue; full of sound and fury, signifying nothing except for sales. Sales of their t-shirts and totes — and more of Sandler’s books and philosophies.

Sandler’s business grew; Creating Inner Peace & Outer Beauty While Saving The Earth achieved international success.

In India, Sandler’s book was met with controversy. The progressive youth latched onto the work, twisting the casting out of ‘body waste’ hair into the process of ridding the country of the caste system. The movement was so successful, it resulted in the Black Blizzards of India, which looked much like their namesakes — the American dust storms of the 1930s.

By this time, ecosystems and weather conditions worldwide were affected; yet the Chinese, unable to view Snopes for The Truth of the results of those following Sandler’s philosophies, were eager to adopt this Western fad in the name of their Chinese Nationalist Shamanism Revival — which also served the government’s quest to present to the rest of the world the appropriate enthusiastic environmental consciousness. En masse the Chinese sent their hair offerings, blessing the world with additional clouds of hair the cumulative affect of which blocked out the sun.

Such agricultural damage left no natural anchors to keep the soil in place; combined with weather conditions and other ecological damage, the earth was rapidly becoming one giant Dust Bowl.

By 2012 the world suffocated in hair and dust.

The cockroaches happily survived on the plentiful amounts of hair, biodegradable cotton tees and totes etc., and corpses for water.

Cheap Thrills Thursday: Vintage Wooden Napkin Holder

This vintage hand painted wooden napkin holder was a $1 find at the thrift store (I think; the sticker tags can be deceptive). I was drawn to her sweet simple face and those blonde curls beneath her red cap.

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Not needing another napkin holder, I’ve turned her into a memo holder. Stuffing my writing and blogging ideas into her head, I hope, keeps my own head more organized.

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Latching-On To Artist Tamar Stone

Feeling a bond (however imagined in my crush), I “latched” onto another common thread with artist Tamar Stone: I’ve made latch hook rugs. So I asked her to tell me about her latch hook rugs.

I began doing traditional rug hooking (using wool strips and a hand hook – you pull loops of wool strip up through burlap/Scottish linen stuff). It is very relaxing, and I like the idea that I can still be “busy” with my hands while I vegetate in front of the TV set… I tend to do this more in the winter since the wool is hot in the summer to have it on your lap. The squirrel rug was the first rug I did with Bob – he drew it, I hooked it. I had only hooked one other thing before, a pillow piece that was part of a one day class I took at the Museum of Folk Art in NYC where I met this great teacher, Marilyn Bottjer.

I’m not very good at always following the rules, or keeping in between the lines (so much of my work is like that, I always think that my idea of things “not being perfect” has something to do with my curved spine, and knowing that I was never “straight” and I tend to see things a little off kilter etc.)

Anyway, Bob drew this picture of a cabin (who knew we would own a house that looks like that a few years later) and a squirrel etc. Originally Bob was going to call it “A squirrel as big as a Cadillac” but we decided against that and then his dad – in his own corny and sweet way – said it looked like “nuts about you” so that is what we called it.

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The next rug was the big map rug, which was all the road trip things from the first three years of us dating. Everything we ate, saw, bought, experienced, and photographed (I love my Polaroid camera – and the photo in the corner of the rug is the place in NH where we got engaged) in the. On the 4th year, we eloped to Iceland… But that is another story.

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She-Ra: Princess of Power, Feminist Icon

I’m old. I have no knowledge of 80’s toys which has not occurred as an adult — He-Man included. But I’m fascinated that younger kids – girls — had some rockin’ Saturday AM cartoons & toys that gave girls & women more powerful female images (no disrespect to Wonder Woman!).

she-ra-collectors-inventory-coverWhen I discovered that Hillary DePiano, the woman I recently interviewed about her My Little Pony collection, not only collected She-Ra but wrote the book on the retro “grrl power” toys, I had to speak with her about them.

Hillary, tell me what it was about She-Ra that captured you as a kid — and how did that fit with your more girlie My Little Pony love?

I think the idea of My Little Pony as girlie is sort of a misconception brought on by the fact that the MLP toys of today are all about nothing but tea parties. I was introduced to them through the cartoons of the 80s and those were dark and very action oriented. In an average day, My Little Pony fought off soul stealing demons, witches, and did battle against ghosts, possessed furniture and all sorts of weird things. In the cartoon a few of them were presented with defensive magic powers to help them fight these enemies so to me they were always a part of the same girl power movement as She-Ra. They were a butt kicking female oriented society with few men and those men were total wimps. If someone had told my younger self that She-Ra’s flying horse Swift Wind was a displaced My Little Pony, I would have totally believed it.

I always pictured them going into battle side by side.

As a collector, dealer, and author, do you see an differences among the My Little Pony collectors and the She-Ra collectors?

Well it is important to designate that, while My Little Pony is a somewhat standalone toy line, She-Ra is a subsection of the Masters of the Universe toyline that includes He-Man. It’s an important thing to note because you have collectors who collect only the She-Ra toys and nothing else and then collectors that are collectors of the entire Masters of the Universe (usually called MOTU) toy line who collect She-Ra as a part of that. Many of those collectors are guys who are somewhat begrudging She-Ra collectors, I have noticed.

she-ra-princess-of-power-squares-off-with-her-nemesis-catra-of-the-evil-hordeThere are also significantly less She-Ra items. They are a very different toy to collect because, unlike My Little Pony, it is actually possible to complete your collection which is a kind of thrill collecting MLP will never give.

Interestingly enough, I started somewhat backwards. He-Man predated She-Ra by quite a few years and as a kid I just LOVED He-Man. I had quite a few of the toys. But when the spin-off show, She-Ra came out, my parents decided that since there was now a “girl version” that I had to give all my He-Man figures to my brother and that he would play with them and I would get the She-Ra. God, was I bitter about that. I think there is some feminism lesson in there.

So, in the beginning, I was playing with one eye on my brother saying to myself, Is he taking care of my He-Men figures?

But as the cartoon developed I really started to love the She-Ra universe. There was a lot more magic than in He-Man and She-Ra had all these extra super powers that made her ripe for more interesting adventures.

As an adult, do you see anything else in She-Ra, or her cultural place? Or do you collect primarily based on a sense of nostalgia?

I actually have been talking about She-Ra a good deal lately in the cultural context as I watch my younger cousins grow up. I find it really interesting that my generation grew up with this super powered female hero with She-Ra and then got Xena and Buffy when we moved into middle and high school. To me it isn’t surprising that now that we are all in our 30s there are a record number of females in high business positions, starting small businesses and breaking down barriers. We were raised on all this butt kicking, girl power entertainment our whole lives so it makes perfect sense to me that we are out there kicking butt in our own way.

The reason this came up recently in conversation is because the pattern I see with today’s teens scares me. My cousin’s generation was raised on the Disney Princess mania, and while I love Disney myself, it does sort of reinforce a very different message about waiting to be rescued by a man and being helpless. I think I would be willing to poopoo the influence of the Princess mania had it not lead directly into this whole twisted Twilight obsession. Their generation went from, “I need to be rescued, I’m a helpless Princess” to their romantic ideal being this abusive, dangerous, controlling figure that is the lead in books like Twilight, House of Night, etc where women are victimized. Now, I read and enjoyed the Twilight books (well, most of them, the 4th book is pretty terrible) but when you step back and look at the pattern, it’s scary.

catra-and-clawdeen-ride-off-to-some-nefarious-purposeIf my generation grew up on powerful, butt kicking women and we took that and became professionally butt kicking, I worry about a generation raised on being helpless and victimized. Of course, we won’t know the real effect of this for many years but it is still interesting to consider.

That said, I am sure some of this influenced me on a subliminal level but I only really started to think about it recently. I mainly collected them because I had fond memories of the toys and cartoon show from my childhood.

How large is your She-Ra collection?

At the time I wrote the book, it was complete but for a few international variations and Spinerella. Unfortunately, I have since had to sell a few pieces and playsets for space. That was a part of why I wrote the guide. I knew I was going to have to sell off some of the pieces and I wanted a photographic record of my collection. As I started to set it up, I realized that what I was creating would be of use to any She-Ra fan and I started to look into publishing it.

The best thing about being a She-Ra collector, though, is that you can have every single figure and pretty much keep in all in one medium sized box. It is a much more compact hobby than My Little Pony which can easily take over your entire house. The biggest playset is the Crystal Castle and even that is still only a fraction of the size of My Little Pony’s Paradise Estate!

Do you have a favorite piece?

crystal-sun-dancer-she-ra-toyMy answer will not surprise you at all. I love the winged horses, obviously. There are quite a few of them (Arrow, Swift Wind, Storm, etc) but my favorites are Crystal Sun Dancer and Crystal Moonbeam. They are supposed to be the daytime and nighttime protectors of the castle and they were made of clear color plastic which means you can see how they are made which is at once weird and cool. As a kid I was fascinated with looking inside of them discovering details like how they added the tails.

From a play standpoint, I just liked the idea of them, that they were these castle sentries that would fend off enemies before anyone else knew the castle was under attack.

The only downside with them, as a collector is that their wings are really sticky. I always have to segregate them from the other figures or wrap them in plastic or they make everything all nasty.

Is there a ‘holy grail’ in She-Ra collecting? Do you have it?

The biggest grail is Spinerella and I do not have her. A fellow collector donated the photo for the guide book. She can sell for $800 or more mint in box. I never really wanted her when I was a kid because I thought she was silly so I am not really looking to get her now as an adult. But she is definitely the highest ticket item of all the Princess of Power toys.

Is there a piece you are still searching for?

Not really. Every piece I really wanted I aggressively pursued already. I have a tendency to go against the grain with collecting. I don’t always go after the pieces everyone wants. Instead I tend to go after only what I want which is usually tied to what I wanted as a kid. So it means I may not always have the best pieces or the most valuable ones but I like what I have.

As a fan of He-Man, do you collect he & his cohorts, or only/primarily She-Ra?

We are in somewhat of a family debate about the He-Man figures. As I mentioned before, they were originally mine and I was forced to give them to my little brother largely against my will. Now my brother wants to sell them for some extra cash and I want to keep the ones that were mine. He thinks he should be able to sell mine as well because my parents gave them to him to play with. I’ll let you know how it turns out. But since I am the family eBay seller, I’m sure as heck not selling them for him so he may be out of luck. ;-)

But I like most of the He-Man figures very much. The later ones got a bit silly for my taste but some of them are still cool.

Do you think She-Ra will be revived as Transformers has & He-Man is supposed to be? Why or why not?

She-Ra never gets as much love as He-Man. That said, I know they are already planning a new He-Man movie so if they do make a new MOTU movie and that is a successful, I think any sequel will definitely include She-Ra. If they need someone to play in the movie her, let them know I’ll be here waiting. ;-)

I’d like to thank Hillary for the guided tour of She-Ra’s universe; I certainly do feel that I may have missed something special by being too old for Saturday morning cartoons in the 80’s.

All images courtesy of Hillary DePiano; image of Crystal Sun Dancer from her book, The She-Ra Collector’s Inventory: An Unofficial Illustrated Guide to All Princess of Power Toys and Accessories.

Hillary DePiano is a fiction and non-fiction author best known for her play, The Love of Three Oranges, and her e-commerce blog, The Whine Seller. Hillary is a collector of both My Little Pony and She-Ra: Princess of Power toys and has authored collectible guides to both. She can be found buying and selling toys from the 80s through today at Priced Nostalgia.

Cheap Thrills Thursday: Of Storks In My Collection & Contraception

shoo-vintage-stork-postcardA few months ago, a gentleman contacted me about one of the items in my “vintage stork” collection. The antique postcard, postmarked 1908, depicts a couple shoo-ing away a baby-delivering stork; the gentleman was James M. Edmonson, Ph.D., Chief Curator of the Dittrick Medical History Center and Museum at the Case Western Reserve University; and he was asking if I could get him a larger high resolution scan of the postcard for inclusion in a new gallery the museum was working on.

Could I? Would I? Um, this is exactly the sort of stuff that floats my boat! Not only is my object connecting me with others, with history, but the gallery is for Virtue, Vice, and Contraband: A History of Contraception in America — a new exhibit at the Dittrick Medical History Center and Museum that examines 200 years of the history of contraception in the United States.

So, naturally I did whatever I could to get the chief curator the graphic. And here it is, on the left-hand side of the display designed by guest curator Jimmy Wilkinson Meyer from The College of Wooster:

history-of-contracption-percy-skuy-collection-at-dittrick

The exhibit (launched September 17, with Helen Lefkowitz Horowitz, author of Rereading Sex: Battles over Sexual Knowledge and Suppression in the 19th Century America, at the Zverina Lecture), depicts the social and cultural climate that influenced birth control decisions in this country, says James Edmonson, chief curator at the Dittrick:

The exhibit reveals a longstanding ignorance of essential facts of human conception. For example, that a woman’s ovulation time was not discovered until the 1930s by two doctors, Kyusaku Ogino in Japan and Hermann Knaus in Austria. Before and after this finding, desperate women went to great length to prevent pregnancies. The exhibit explores less well known (and dangerous) methods such as douching with Lysol or eating poisonous herbs like pennyroyal, as well as conventional means such as the IUD or the Pill.

“A remarkable body of literature was available to assist newly married couples and others,” says Edmonson. “These books were not displayed publicly, on the coffee table, but hidden in a private place.”

He cites examples such as Charles Knowlton’s Fruits of Philosophy, or the Private Companion of Young Married People (1832) and the popular 18th century book on anatomy, reproduction, and childbirth, Aristotle’s Masterpiece.

In addition to literature, the exhibit draws upon and incorporates the vast collection of contraception devices donated to the university in 2005 by Percy Skuy. The Canadian collector had amassed the world’s largest collections of such devices over the course of four decades.

The exhibit starts in the early 1800s, before Anthony Comstock, lobbied Congress to pass the Comstock Act of 1873, responding to what he viewed as a moral decline after the Civil War.

“It was a watershed year. The Comstock Act made it illegal to sell contraceptives or literature about contraception through the mail,” says Edmonson.

While Congress legally barred contraception, a black market for such products and literature flourished. Comstock went undercover to search out and turn in violators of his law in his crusade to stamp out what he defined as smut and obscenity.

In the early 20th century, women’s advocate Margaret Sanger opened a birth control clinic and research institute, flaunting the Comstock Law. Eventually her efforts evolved into the Planned Parenthood Federation of America.

The exhibition highlights some ancient methods of birth control and presents information about the influence of religion on contraception.

“We wanted to have a multi-faceted look at the topic of contraception,” Edmonson says.

Future plans are to expand this exhibit with a companion book, a kiosk where additional information can be accessed on the birth control collection, and an extensive online site available worldwide.

I love that my old postcard is hanging out with Margaret Sanger — well, it does that here at home, but now it’s part of the larger public story. And that’s cool.

Now I must get myself to Cleveland, Ohio to see it!

Whatjamacallit Wednesday, For Fans Of Blowdryers

A vintage (circa 1920’s-1930’s) photo of a model “using a then state of the art modernist hair dryer”; photo taken by illustrator Charles Gates Sheldon.

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Somehow, it sort of makes Madonna’s armpit drying scene in Desperately Seeking Susan (even) more poetic, doesn’t it?

(If you’re into that scene, or Madonna in general, Madonna Celebration: The Video Collection was just released; yup, that hand-dryer-applied-to-sweaty armpit clip’s on it.)

The Incredible Art Of Tamar Stone

The following fascinating artworks are the creation of artist Tamar Stone, who uses art to “tell the stories of women’s lives that have been constricted by their various situations throughout history.”

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Tamar’s work is inspired by her own experiences, including spending her teen years a la Lisa Kudrow in Romy and Michele’s High School Reunion wearing a back brace to correct Scoliosis, which not only amplified the usual adolescent feelings of isolation and body insecurities but developed in Tamar an increased sensitivity to “correction” and the need to fit in. The result is artwork which explores women’s lives. And yours truly getting a crush on the artist.

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In her corset books, not only the moments in which issues of appearance, self esteem and assimilation captured — but the methods and mechanics by which physical restrictions, voluntarily or involuntarily, have literally shaped women are examined.

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In her bed books, the intimate and intricate institution of beds throughout history are scrutinized, from the primary female domestic associations to the primal sexual and biological connotations, with readers being asked to unmake miniature beds in order to see what lies beneath the neat covers — and then remake the rumpled beds, neatly hiding the secrets again.

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Charmed and fascinated, I gushingly asked Tamar for an interview — I figured she’d understand my elation. She did.

…Well, at least she agreed to the interview (who knows if she really understands my girlie crush?)

Tamar, I’m in lurve, deeply and seriously, with the corset and bed books. Do you sell them? Keep them? Are they in museums or what?

Thanks so much for loving the artists books! My dealer, Priscilla Juvelis, sells them for me — or at least tries to. In this economy, the few people who have been collecting them haven’t and won’t buy anything this year, and the universities that have collected my work in the past are also not spending any money. They cost somewhere between $5,000 – $6,000 each, being that they are one of a kind etc.

At this point, it takes a few years to make each book (corset and bed) from doing all the research/reading of historical text, and then putting it together into a “story line.” I then make a paper dummy of the corset books to figure out how it will all look (that’s right, I put those corsets on a copier machine and glue stick and scotch tape them together). Somehow “seeing” them in this manner and working with my hands helps me think about how/what I want to say — before I get on a computer to start creating Photoshop files etc.

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I work with a person who does machine embroidery and who is much better sewer than I am. (I figure, if I expect someone to pay for the work — it should be the best technical work that I can afford and that I expect my projects to look like. I get kind of picky in that way, and my sewing skills are pretty spastic actually, so I’m happy to employ a professional.)

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Anyway, because it takes so long for each piece, by the time they are finished I really just want to get them out of my hands and into Priscilla’s so she can try to sell them. I don’t actually make a lot of money off of the projects, just enough to turn it around into a new project. Which is why I have to keep my day job of coordinating business meetings, although as a freelancer, this year has been terrible and the reality is that I may have to take some sort of full time job to start paying the bills — and that would really cut back on the art time… But such is life.

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Did you have any formal training?

I went to art school, but I majored in photography and minored in graphic design. I just took one book making class at Pratt Institute in the mid-80’s, but it taught me that I was not cut out for any kind of “formal” book making. I didn’t have the patience to even use a bone folder! My final project for that class was a plastic book I sewed together with things stuffed inside the pages to make overlapping ideas… Even back then…

When did you begin creating your art books? Who &/or what inspired you to begin — and what was your first piece?

Around the mid- 1990’s I started my first “limb” book, your/my… insecurities are my limbs, while working at a job I really didn’t like, but it had a great copy machine and I decided I should try to get something out of the job for me as I felt so disconnected from the work.

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So my book about “limbs” is really trying to figure out how to piece myself back together in a way — using overlapping images and text.

Since I didn’t know what I was doing, I was using Xeroxes, a glue stick, and an Exacto blade. I laid out the pages so I could get two pages on an 8 1/2 x 11 inch page when I copied them, and then just cut the page in 1/2 to get the two pages.

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The next piece, To Exert…as oneself, takes that idea further using black & white and color in the images — and the buckle straps that hold the book together were actually made by the man, Alfred Chin, who had made my Milwaukee Brace back in the 1970’s. It was very special for me to be able to find him again and involve him in my art work.

OK, not to continually crush-on the talent — but how cool is it that she got back in-touch with the guy who made her (probably-hated) back brace to have him make hinges for her artwork?!  I’m totally crushing on Tamar Stone; there’s more to come! While you’re waiting for the next installment, check out Tamar’s website and what’s for sale.

It’s Not Blackface When They Have Black Faces, Right?

I love this vintage cotton novelty print blouse from the Bahamas — well, at least until I spotted the three Bahamian singers…

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Then I worried that they looked a lot like minstrel performers in blackface. But black persons can be shown as black persons, right?

Uh, I don’t think I can send myself, a white woman, out into the world unless I’m absolutely certain that the rest of the world can tell that this is not racist.

PS I know this isn’t Black Americana, it’s Bahamian. But I’m using that tag so folks can find quasi-related stuff; such is the way of folksonomy.

New Vintage Reviews Carnival, 6th Edition

Welcome to the sixth edition of the New Vintage Reviews Carnival, where we review “old stuff” — from the classics to the forgotten — that is likely new to someone…

This month’s edition is chock-full of films — so I hope you have your popcorn and Jujubes ready!

Films:

Rupert Alistair presents Black Narcissus: Technicolor Masterpiece posted at Classic Movies Digest.

Jaynie presents Lessons In Vertigo (Hitchcock’s Vertigo, That Is!) posted at Here’s Looking Like You, Kid.

Raquelle presents Wild River (1960) @ the Harvard Film Archive and the Walking Ethnic Stereotype posted at Out Of The Past.

Surbhi Bhatia presents FILM REVIEW: RED PSALM (Még kér a nép, 1972) posted at The Viewspaper.

Rupert Alistair presents Fury (1936): Fritz Lang Comes to America posted at Classic Movies Digest.

Surbhi Bhatia presents Onibaba: 1964 directed by Kaneto Shindo posted at The Viewspaper.

Jaynie presents Ready To Get Manhandled? posted at Here’s Looking Like You, Kid.

Travel:

Jeet presents Trip to Shivaganga posted at Discover Karnataka, saying, “Shivaganga is a nice adventurous destination near Bangalore city of the Indian state of Karnaraka. It has very old temples for history buffs and can be a training site for new trekkers.”

Games & Toys:

Yours Truly presents Cheap Thrills Thursday: Can He-Man Still Thrill The Uninitiated? here at Kitsch Slapped.

Yours Truly presents Are You Game To Try Tiltin’ Milton? posted at Collectors’ Quest.

Music:

Clark Bjorke presents Billie Holiday: My Man posted at Clark’s Picks.

Books:

Azrael Brown presents Lover Boy posted at Double-Breasted Dust-Jacket.

Jason Ward presents Ringworld by Larry Niven posted at The Word of Ward.

Yours Truly presents My Summer of ‘79 (A Review of Summer of ’42) posted here at Kitsch Slapped.

Surbhi Bhatia presents Simone de Beauvoir’s ‘The Second Sex’ posted at The Viewspaper.

Jason Ward presents Fathers and Sons by Ivan Turgenev posted at The Word of Ward.

Rebecca presents 35th Bookworms Carnival: Really Old Classics posted at Rebecca Reads.

Honorable Mention:

The Dean presents The Big & Little of Collecting Western Publishing Co. posted at Collectors’ Quest.

If you’d like your review to be in the next edition, please submit it (or one you’ve read) to the next edition of the blog carnival using the carnival submission form.

My Summer of ’79

At 15, I was straddling the simple romantic fantasies of girlhood by day — and the hormonal induced sweaty-pink-bit-manipulations by night.

By day, I still played with Barbie & her friends. Still playing with Barbies was not something I advertised; I didn’t invite my girlfriends over to play with me. Like my nocturnal activities, this was the solo-play of self-discovery.

Playing with Barbie was like warm comfort food; I understood the rules and romance in playland, even if I didn’t understand the ways of the boys around me who had suddenly started reacting to my well-beyond-just-budding breasts.

But at night, I got hot and sweaty for Andy Gibb — via his posters on my walls.

angy-gibb-posterEspecially that poster of Andy with his dark blue satin baseball jacket worn open to expose what I could only then (and now) best describe as a tree of hair — with a trunk that went down past the navel to what I could only then bear to imagine as another system of hair at the root… Leading to that something that beefed-up his tight satin pants. And that magnificent mane of hair on his head, ahhh... it still works.

But before I begin to get lost in teenage masturbation fantasies, let’s just say that solo-play was far more productive in terms of my nighttime studies; learning the ins-and-outs of myself, physically & emotionally, was easier than figuring out interpersonal play by myself. But I did learn much about me.

At 15, I knew the score — or at least what scoring was — even if I wasn’t ready for it. At least not with a boy. If I was going to give in — and I wasn’t sure I was — it would be with a man who knew what he was doing.

Since I was an avid reader, Barbie wasn’t my only form of entertainment. (Nor was masturbation — quit trying to get me off the subject!) As an avid reader with a voracious appetite for books, my parents let me read freely from anything on the bookshelves at home and at the library. I hadn’t needed my parents’ permission for any reading material since what, I was 6, 7? I read what I wanted, and asked questions when I needed to.

For example, when I was about 10 I read a mystery book which presented a mystery it hadn’t intended. I forget the title and author, but the passage went like this: “and then he threw the flaming faggot into the fire.” Since the only definition for ‘faggot’ I knew was the same for ‘gay’ and ‘queer’ (hey folks, it was 1974, and folks were ‘out’ in theory even if I didn’t know anyone personally); I was at a loss. How could a man who was alone throw another man into a fire? And if there was someone around, why hadn’t he been mentioned earlier? Shouldn’t there have been some sort of exchange or motive? Was it just bad writing?

Book in hand, I approached my mother, showed her the passage and asked for help. How she kept a straight face (no pun intended) while explaining that ‘faggot’ was an English word for cigarette, I’ll never know… But I do know that not only had she helped me with my vocabulary but I helped her by letting her know what I knew. That’s what parenting is all about, yes?

So, flash forward five years to me at 15 again. I dragged myself away from Andy Gibb’s gaze, left Babs alone (that’s not a euphemism; I refer again to the classic fashion doll), and look for a book on my parents’ book shelf.

summer-of-42-coverA title caught my eye, The Summer of ’42 — something about it was familiar. I remembered vaguely the book making news… Something about sex & banning the book… Hmm, I thought, I hope it’s not as dumb as Catcher in the Rye. (That book did nothing for me, sorry.) But curiosity won, and I took Summer of ’42 to my room and read it.

The book was well-written, but it was from the point of view of a boy, which I found faintly disinteresting. A group of boys who want to get laid, gee, that was news to a 15 year old girl with big boobs. But I hung with it (to date, I’ve only quit reading 3 books — I’m a girl who believes in commitment), and I learned a few things.

Like Hermie’s date with Aggie. Hermie thinks he’s getting lucky by touching her breast — a deformed breast lacking any nipple — only to discover later that he’d been fondling and groping her shoulder. (Hey, Andy Gibb would never, ever, have made that mistake!) This only confirmed my belief that boys were stupid. They were in such a rush, they missed pretty basic stuff. Idiots.

But at the end of the book, the cumulative lessons learned left me once again surprised: I’d read another banned book that left me wondering why it would need to be banned. Frankly, I still am.

Sure, Hermie (an under-age boy) has sex with an older (adult) woman; but it’s depressing. It’s not erotic. Nor is it abusive or crude. In fact, it scared me about my fantasies about Mr. Gibb. I mean Hermie was in love, head over heels in love — ga-ga — and after what he thinks is such a beautiful moment, this woman cries and leaves him. Sure, she was vulnerable with her husband’s death and all, but clearly, she didn’t want some kid. Ouch. And hey, Hermie’s got feelings! Who knew boys had feelings?

This was not some sex-filled-romp of adolescence. This was not some titillating erotic entertainment piece. This was heartbreaking. Even at 15, a never-been-kissed-by-a-boy girl, I recognized the agony of misplaced virginity. I knew that a first time, a first love, a first f***, was sacred. This wasn’t some fodder for a solo-f***-fest, some sensationalized erotic entertainment — far from it. It was a warning. Not only were young boys not practiced enough to find a boob, but they were immature enough to not know they should protect their hearts. While I felt that I would fare better in the groping department, I knew I was likely as lame in matters of the heart.

Not long after, Barbie was put away and didn’t see sunlight until we had a garage sale. I had mastered what I needed to know: romance was a fickle bitch, boys could indeed be hurt too, and romance could be as plastic — as one-sided — as a fashion doll.

I still masturbated to images of Andy, but I no longer romanticized meeting him after a concert and that he’d fall in love with me. It was just sex — just sex in my mind. And it was safer for me at that time to leave it at that. Too bad Hermie hadn’t been that self aware, hadn’t protected himself… And no wonder the older woman who should have known better, but was so affected by her own broken heart she couldn’t think straight, left town asap.

I grew up quite a bit reading Summer of ’42, and I likely saved myself some pain. I’m not saying I mad no mistakes; my life is a character-building exercise. But I made less mistakes, less painful ones. I have Herman Raucher to thank for that. And my parents — for they let me read.

Just last week I asked my mom if she knew that I had read Summer of ’42; yes, she had. I asked her if she was, well, creeped out by it. Her reply? “No. You always came to us if you had questions. …It was a sad story, wasn’t it?”

Yeah mom, it was sad. Sadder still to know that some kids weren’t allowed to read it. Thank you, mom and dad, for being good parents.

banned books Epilogue: Some kids and adults are still not allowed to read or view Summer of ’42 because it has been banned from their libraries. Or they’ve been told to avoid such ‘horrible’ works. I can’t speak for the film, but if you get a chance, read Summer of ’42. It might be too late to save yourself from past mistakes, but it’s never too late to learn something.

Read it this week, Banned Books Week, buy Banned Books Week merch, blog about it and read what others have to say — and celebrate your freedom to read.

Add Your Voice to NOW’s Call for Open Internet

Add Your Voice to NOW’s Call for Open Internet

Support the Internet Freedom Preservation Act!
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After taking action, please support our work.

The Internet has allowed NOW to connect like never before with members and allies, potential supporters, students and educators, government leaders and countless others who can help advance equality for all.

The Internet offers a platform for dialogue amongst feminists who might not otherwise have a chance to strategize together. It empowers women by providing them with information about their status, threats to their rights and opportunities for advancement. It presents a tool for democratic participation by allowing women’s rights advocates to easily petition their elected officials and keep tabs on their records.

Without a doubt, the women’s rights movement benefits immensely from the unprecedented power of an open and accessible Internet. But, can we rely on the big companies that bring us the Internet to preserve its open nature? The simple truth is: No, we can’t.

Action Needed:

Write to your Congress members today, and urge them to support the Internet Freedom Preservation Act of 2009 (H.R. 3458). This bill will make “Net Neutrality” — one of the guiding principles behind the open Internet — the law of the land. Take action NOW.

Background:

Every day, the Internet becomes more and more central to the way we communicate and access media content here in the United States and around the world. The big companies that deliver the Internet to us — like AT&T, Comcast and Verizon — stand to gain an enormous amount of revenue in the coming years, and they are looking for even more ways to pocket big bucks.

How exactly would they do that? By charging fees that would allow some websites and content to download via an exclusive fast lane, while those that can’t afford these fees are relegated to the slow lane. Some websites and applications would be blocked altogether, as the phone and cable companies decide which content and tools they want to offer us.

Take Action NOW!

In fact, this is already happening. AT&T censored streaming video from a Pearl Jam concert. Comcast has blocked Internet software, and Verizon prevented a reproductive rights group from sending text messages to people who had requested them. Clearly, public policy is needed to ensure that the big companies can not discriminate on the web by censoring and blocking information we need to advance the issues we care about.

The beauty of the Internet, and its great innovation over conventional, mainstream media, is that it is open to everyone. An unlimited amount of information is available at everyone’s fingertips when they access the web. Similarly, we can add our own content and voices to the web in a way that is not possible with radio, television and other traditional media.

But hundreds of lobbyists on Capitol Hill, employed by the telecommunications giants, are trying to change all that. Organizations like NOW could find their online efforts seriously impaired by this move to partition off (dare we say segregate?) the Internet.

Net Neutrality must become law to ensure that the Internet remains open to innovation, democratic participation, and a free exchange of ideas. The Internet Freedom Preservation Act is designed to ensure that this dynamic medium remains free from discrimination.

Don’t let big business turn the Internet into another version of cable TV. This is OUR Internet, and we can save it.

Take Action NOW!

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Lessons In Swine

I am recovering from H1N1, the “swine flu.” I know this from Dr. Sanjay Gupta. No, he’s not my personal physician, but unable to sleep, I caught Dr. Gupta on Anderson Cooper 360, discussing how he suffered through H1N1 while he and Cooper were in Afghanistan and when he recounted how he’s never been sicker, describing the worst chills he’s ever had — in Afghanistan! — I knew how he felt.

Even with Advil, my temp was over 101 (and my normal body temp is 1 degree under normal — something I used to get out of gym class all the time), yet I was soooo cold. That’s why I was up, watching CNN: I was too cold to sleep. My goosebumps were like the teeth of a saw and I was shivering so hard I was forced to wind blankets around & between my limbs so that so that my saw-tooth-covered flesh would not cut me while I shivered.

But this is not all I learned from TV this week.

Rod Blagojevich was on both Chelsea Lately and The Daily Show With Jon Stewart — and god help me, he, especially on The Daily Show, sounds rather convincing.  At least far more convincing than ever seemed possible before to me; I am now primed for a larger scandal involving criminal activity on the part of the state of Illinois. (Then again, as a native of Wisconsin, we can believe just about anything bad or criminal of those flatlanders.)

I may not be able to trace my illness back to where I caught it; but I think my ability to entertain the idea of Blagojevich’s innocence stems not so much from my own fever but rather from Blagojevich’s wife, Patti, and her appearance on I’m A Celebrity, Get Me Out of Here. Patti’s staunch support may not have convinced me at the time, but it planted seeds… She made him human, and the rest can be recovered from.

And if you don’t believe me, consider that Tom DeLay has enough fans to save him on Dancing With The Stars.

Author reserves the right to fully recover and recant.