Married? Wanna “Throw Down” On TV?

I spotted this casting call at RealityWanted:

Looking for married couples to throw down on a nationally syndicated court show!

We give you a $500 appearance fee each, airfare, hotel & $70 each for food.

Now I ask you, what married couple is going to “throw down” (whatever that means — I hope it’s not violent!) for a grand? I mean, there’s not even the pretense of help.

All they say is that it’s for a “syndicated court show,” so is the “throw down” a divorce? Or what? …With such little information, I think it’s safe to say that whether it was your intention or not, simply suggesting you & your spouse “audition” is probably going to result in the end of your marriage.

Cheap Thrills Thursday, Maybe.

kingsley-amis-i-like-it-hereI Like It Here, by Kingsley Amis, is the story of Garnet Bowen, a man forced to travel with his wife who wants a family holiday — with the additional incentive of two paid writing gigs. This might sound like a dream, but not for Bowen. He’s a miserable & reluctant man who can’t seem to find fun or hope in anything. Not in his married life; not in his career. Not even in the wry writer kind of way either.

He’s not a good guy. He’s not an insecure & inept guy you can root for. He’s a poor father, an idiot husband, and there’s not a lot of info to support any claims that he’s a good writer (that’s Bowen, not Amis, the author of the book — unless this is autobiographical?) He’s not a bad guy you can love to hate. He’s not even just a guy — an every man. He’s a whiny boy whose voice I hear in my ear like a petulant teenager, “But maaaaa!”

And I don’t think that some sort of British thing I couldn’t understand.

Nor is he the typical midlife crisis guy (like John Gosselin – another inept unlikeable man), because Bowen also doesn’t want to change. Boo-hoo! So what’s that leave? A whiny “Poor me, I’m a put-out male” story which has me hoping his wife will divorce him, take the kids, and get on with her own life.

She doesn’t.

So why did I grab this retro paperback bore?

I Like It Here (Kingsley Amis © 1958, Ballantine Books, First Printing, August, 1971) promised, “A rollicking trip with a not-so-innocent abroad” and features an intimate embrace on both the front & back covers — but if I was looking for smut (and I’m admitting nothing) I would be disappointed.

What little sexy stuff there is, is just a few paragraphs more than the salacious tease of an international kiss not bound by the same language barriers as speech. — but it is as awkward as trying to communicate in a language you don’t know.

This is not the sort of sexual tension most of us look for in our reading — or anywhere.

OK, so it’s not the smut-fest the publishers made it out to be. That’s not unusual — for books marketed then or today. “Sex sells.” But I kinda wish I had my dollar back. And I’m not exactly looking forward to the stack of other Kingsley Amis books I also snapped up that day.

Secret Recipes for the Modern Wife – Exposed!

secret-recipes-for-the-modern-wifeIn contrast to the many products inspired by or incorporating vintage & retro images of female domesticity that only really offer humor, Secret Recipes for the Modern Wife: All the Dishes You’ll Need to Make from the Day You Say “I Do” Until Death (or Divorce) Do You Part, by Nava Atlas, offers some wisdom with the chuckles.

It’s easy to take one look at this cookbook, flip through the pages and realize that most of the ingredients, like “1 economy-size can of everything you and your husband ever had in common, drained,” are not of the edible variety and so dismiss it as just another product cashing in on the retro style craze — but don’t! While it’s true, as the publisher claims, that Atlas “grills societal norms with gleeful relish,” it’s also true that this book offers recipes. But not just any recipes, but the secret kind…

Success recipes for love, marriage, parenting, divorce, reconciliation — survival.

Instead of offering only the too-true advice that heaping servings of humor are needed to survive marriage and children, there are excellent (sarcastic & snarky) reminders that good health includes a sound mind, free of self-delusion, self-denial, self-betrayal & self-sacrifice.

secret-recipes-page-77

Atlas states in the book’s acknowledgments & credits that Secret Recipes For The Modern Wife began as a personal project, “a small, limited edition artist’s book” using dark humor as a cathartic release for friends who were divorcing or otherwise suffering from marital malaise; but Trish Todd, Atlas’ editor, saw beyond the divorce theme and helped the author & artist shape the book into something more well-balanced. It even ends on a hopeful note with “Happily-Ever-After Ambrosia.”

Secret Recipes For The Modern Wife, with its recipes like “Beans ‘n’ Weenies of Sexual Tension” (below – click to read larger version), “Soufflé of Fallen Expectations,” and “Old Boyfriend Buffet” may not be suitable fare for the entire family — but keeping a copy of this book tucked away for a private & spontaneous flip-through will be good for the whole family. After all, what wife &/or mother doesn’t need a little stress relief? And hidden reading episodes are certainly preferable to a furtive nips of liquor in a closet.

secret-recipes-beans-n-weenies-of-sexual-tension

If I Only Had A Penis

Dear Wizard of Oz,

After hearing of your kind generosity towards straw men, lions, tin men, and stray girls & their little dogs, I was wondering if I might be granted a penis — just for a few days. And I’ll return it unused, I swear!

I just need one penis, no matter how small, to get into casting for VH1’s Tough Love 2 Men’s Panel, so that I can access & confront the Evil Witches (the show producers) & Their Flying Monkeys (Steve Ward).

If necessary, I will pour water on them.

It’s not for selfish reasons that I ask; I have to protect women, you see. And I’ll need a penis, no matter how small (a penis is a penis, after all), to get in.

So please, dear Wizard of Oz, temporarily give me a penis. I have the brains, the heart, the courage — and I know how to get back home.

Sincerely,

Alessia
Good Witch In Training, of Relationship Underarm Stick

Whatjamacallit Wednesday: Vintage Asian Themed Planter Ad

I often spot these vintage Asian themed pottery pieces in antique malls, flea markets, garage sales, etc.– I mean literally this same TV planter. (Of course, when I go to search for them online, no luck. But then, in my defense, there are plenty of words one can use to describe them.) Anyway, because I really do see them often, when I spotted this ad in a copy of The Workbasket from the 1950’s (July, 1952, if memory serves), I had to scan it and share it.

vintage-asian-tv-planter-ad

A few things to notice:

* The color “Chinese red” is not capitalized.

* The planters were sold, among other options, as decor to set on top of your TV.

* The pair of “hand painted figurines in matching or contrasting colors” were sold separately — sometimes you will find these have survived without the wooden planter and they will be sold, individually or in pairs, as shelf-sitters. (They also may have been sold independently too.) The pair of figurines were less expensive than the “etched hardwood” planter in “rich hand painted finish.”

The Corrected Word

I was understandably distraught when I read Christina Hoff Sommers’ Persistent Myths in Feminist Scholarship, in which she finds fault in Berkeley law prof Nancy Lemon & her widely used textbook, Domestic Violence Law, saying:

False assertions, hyperbole, and crying wolf undermine the credibility and effectiveness of feminism. The United States, and the world, would greatly benefit from an intellectually responsible, reality-based women’s movement.

I’ve not read Lemon’s book, but naturally I agree — false statements are not good & undermine the very causes I hold dear.

But so do false accusations about such work, and Sommers isn’t as pure as any ethical now in my book — she’s got an agenda. OK, so maybe we all do — but hers is not exactly pro-female. Sommers is (white hetero male) conservative and she’s well-connected, meaning her false assertions, hyperbole, and crying wolf greatly undermines the credibility and effectiveness of feminism because her voice is deemed worthy & given lots of media push.

This weakens Lemon’s book and therefore weakens educational & societal concern over the validity of domestic violence, diminishing the issue of violence towards women, and, because Lemon is a woman (and I gather a self-proclaimed feminist), such attacks by Sommers discredit Lemon and female authors (at least those who identify as feminist and aren’t conservative foundation teat-suckers & ass-kissers of the patriarchy), turning the “conversation” in general into a feminist bashing event.

All very horrendous & vomitous indeed.

But thankfully, Tenured Radical rides to the rescue.

Just go read it — now! — and see how deeply sucking (figuratively & literally) Sommers is — and how Tenured Radical gets to the truth of the very historical facts Sommers questions.

You may not feel “all is well,” but it’s good to know that others are in the battle.

I try to help by magnifying & spreading the corrected word.

I Collect Bitch Like It’s A Good Thing

medicated-and-motivatedTaking a look at retro & vintage images of female domesticity (or the sales of such) is a fascinating part of my collecting.

For every bit of useful information (research help, household tips & recipes), there is the moment of shocking disgust that even though you already knew of its existence (or at least expected to find something like that there) results in the auditory combination of frontal forehead slap and an “arg!”

This sport has become quite popular, even among the non-collecting set, who have exploited the kitsch of yesteryear & reclaimed it in the names of feminism and/or capitalism, spawning a bajillion blogs and inspiring Anne Taintor, among others.

And we buy it by the barrel. From “Guess Where I’m Tattooed” emery boards to sticky notes; from blank journals & greeting cards to ID cases & compacts.

guess-where-im-tattooed

Derogatory statements & words (like the B-word, bitch) were often reclaimed by women, much like the N-word; only we women could use those words, label one another & our products with them.

could-you-be-a-bigger-bitch-gum

Obviously, sometimes, it was pure capitalism. Perhaps even with a pinch of misogyny — or at least irony — as it was men like Ed Polish & Darren Wotz who really capitalized on women’s mockery of their own history by selling them bold & defiant sayings juxtaposed with domesticated retro images of women.

you-say-bitch-like-its-a-bad-thing

At some point whatever genuine interest there may have been in giving females a hearty last laugh at female history was perverted into a glut of raunchy retro styled products which twisted & sometimes down-right confused sexism with sexy. At first, it felt only natural to mock & rebel against the ridiculous notion of woman as virgin & then (married) mother — with never a thought to her own pleasure or desires.

maybe-i-want-to-look-cheap

So, much like the B-word, we took over the S-word, co-opting it for our own use, putting “slut” on a slew of merchandise.

im-not-a-slut-im-just-popular

Bur then we went too far, I think, including putting “slut” on clothing for kids. *gasp* (No, I won’t link to or promote any of that.)

slut-body-detergent Most of the retro rebelling merchandise has it’s only value in the humor, being poor product inside slick packaging, and they often don’t stick around long.

Products such as Bitch & Slut Body Detergents are no longer are around (hello, collectible!) — but in the specific case of the body detergents, the problem was with the icky gritty soap, not the packaging. (And it should be noted, in the interests of accuracy and equality, that Mabel’s LaundrOmat also served silly, dirty & derogatory soaps about men too.) However, it seems the company continues to make stereotypical sundries which may chafe & chap those without the ability to laugh at things such as Extra High Maintenance & Extra Dizzy Blond Lip Balm.

extra-dizzy-blond-lip-balm

Today, it’s difficult to enter a hip gift shop, bookstore, or boutique and not be bombarded with such humorous merch. A lot of it is funny. But some of it seems to actually be reinforcing the old myths & stereotypes. And many of the profits in the process of using humor to free women from the humiliating shackles of the past are lining the pockets of men, not women… Is that really liberating? Or funny?

I wonder about that stuff when I buy it for my collection. Because even while I may be “documenting history” (and modern items are both “today” and “history”), I don’t want to be buying the old party line when I buy my trinkets, you know?

Anyway, when you look at it all on the shelves, at a store or in a collector’s home, all this reclamation of womanhood says something… I’m just not sure what yet.
queen-bitch-to-you

Of Farrah Fawcett & The Trouble With Feminism

I was kitsch-slapped myself, reading this line (in one my feeds) from Linda Lowen’s post regarding Farrah Fawcett’s death:

Considering the fact that Fawcett was one of those impossible-to-live-up-to female images that feminists rail against, there’s been surprisingly little commentary about her passing or about her role in pop culture history from feminist circles.

Ugh, where do I even begin?

farrah_fawcettI could try to rectify the “little commentary from feminists” comment by showing all the other posts I’d read (and skimmed in feeds) in which feminists eulogize Farrah; but I’m a bit too lazy — and hot under the collar — to gather them all.

Then there’s the matter of this, Lowen’s response to Lisa Westerfield’s “feminist Farrah Fawcett” piece (originally published prior to Fawcett’s death; republished the day the actress died):

Still Expected to Cook Dinner
Westerfield doesn’t make this point, but Fawcett’s marriage to actor Lee Majors (who played the Six Million Dollar Man) was more of the same old ‘Cinderella marries the Prince’ story than a fresh, modern tale of a strong woman controlling her own destiny. (Westerfield, however, does acknowledge that Fawcett had to leave the show in time to go home to make dinner for her husband each night.)

Sorry, but this is not the stuff that feminist icons are made off.

So marriage makes one less of a feminist? Or is it just specific kinds of marriages, left undefined, that Lowen doesn’t like? I can’t tell. And then she mentions the whole “making dinner for her husband thing.” So boring. But more upsetting actually that here I go again…

farrah-fawcett-lee-majorsThe truth is, we cannot know exactly why Farrah wanted out of Charlie’s Angel’s… Whether if was for “bigger bolder career reasons” or if she “had” to be there to make Lee’s daily dinners, or maybe, and this is too often left out of the conversation, Farrah herself wanted to be there make, serve & enjoy those meals with Majors more than be on TV. If she wanted to be there to make his man-meals after work or instead of her own career, that was her damn choice.

That’s what feminism is about; a woman’s right to choose the life she leads.

And yes, that includes the right to play 1950’s atomic “mommy” to her man. It may be, for some folks, harder to swallow than that retro lime Jell-O with its suspended carrot shavings; but suck it up & choke it down, because that’s still an option a woman has the right to choose. You have no more right to tell her she can’t than anyone else can tell her she must.

If she made that choice to be “Mrs.” rather than focus on a “career,” that is the stuff feminist icons are made of.

If she didn’t really, or freely, make that choice, as many claim, let’s look at why that would be… She went, as most women then did (and many still do — or are expected to), from Daddy’s Little Girl to The Little Woman. Breaking out of such family dynamics isn’t as easy as marching on Washington, you know. It is an individual act, done in isolation, railing against a patriarch you love; while the latter is undertaken en mass, railing against a The Patriarchy. Standing up to a man you love (whose face you adore), as opposed to standing up to The Man (who is anonymous & faceless), requires a maturity most women, especially without personally accessible role models, do not achieve until they are in their 30’s or beyond.

This Farrah did.

Isn’t that the stuff feminist icons are made of too? Or must we only be recognized if we are born with the power of rebellion, railing against things we don’t yet understand?

But what sticks in my craw most, are all the assumptions packed into one neat line in Lowen’s article: “the fact that Fawcett was one of those impossible-to-live-up-to female images that feminists rail against.”

Fact?! Who the hell says that all feminists rail against beauty? Most of us may rail against the need &/or pressure to conform to (white male) versions of “beauty,” but many of us are wise enough to realize that when a female is beautiful, impossible to live up to or not, she’s, well, she’s just beautiful.

Beauty, by itself, means nothing more, nothing less; no objectification necessary.

Nor is there a need for hatred or jealousy, or whatever pretense the stereotypical snark is supposedly serving. Such things are patriarchal constructions to divide & conquer women; crap I, and others, simply won’t perpetuate.

Some of us are also wise enough to see how beauty can & will be used against the one who possesses it. Not just in Hollywood, which rakes in money exploiting fair face & figure, while unfairly limiting actresses (such as Marilyn Monroe, Farrah Fawcett, Lucille Ball, and, recently, even Tina Fey) to (stereo)type; but everywhere.

Farrah fought against such things, not just with her stage & screen roles which eventually earned her some respect, but in her own life. Why diminish her to mean-spirited comments disguised as wit, like this comment left at Correctly Impolitic:

Here’s why the hoopla about MJ and not FF:
Michael Jackson was a spectacular talent who had mediocre hair.
Farrah Fawcett was a mediocre talent who had spectacular hair.

To mock a woman & diminish her value to only that of an icon of beauty, or “spectacular hair,” is abusive. Like an abusive spouse, such devaluation at the hands of an individual or a group culturally is an attempt to isolate and control.

To mock a woman & diminish her value to only that of an icon of beauty, or “spectacular hair,” is objectification. You are objectifying her.

farrah-fawcett-playboy-cover-1978And don’t give me this BS that she’s asking for it; no one, Playboy fantasy girl or not, wants to be viewed solely for their occupation or one facet of their life.

Fawcett fought to have others see her many facets. She fought to make some decidedly feminist productions. But even if she had opted to make a career out of jiggle TV & silly bimbo roles (stuff our culture digs with a big spoon, allowing “dumb bimbos” to laugh all the way to the bank), she’d still be a feminist in my book. As long as she had choices to make & was exercising her right to choice, she was a feminist.

A beautiful feminist.

Why is that so difficult to accept?

farrah-fawcett-july-1997-playboyYou know, it’s so damn weird that people actually spend time discussing whether or not so-and-so’s hair coloring is real — and if she colored/bleached it, if she’s doing it for the patriarchy. Why waste your time on that? Isn’t it enough that there’s an asshat ready to call you old, fat & ugly the minute you stand up for yourself or dare to assert your rights as a female? While their words are no sticks & stones that can break our bones, they are designed to hurt us, discredit us, and I resent the attempts. Are my words less important if I am ugly? No. Making oneself ugly to be taken more seriously or make one “more feminist” doesn’t work either. So beauty, even great amounts of it, do not remove one’s ability to be smart or dilute one’s ability to be a feminist.

It’s such a damn mess being a judged woman. You can be a bitched at beauty, or simply dismissed as a bimbo, one minute and then called a fat cow the next just for asserting yourself or educating another with some fact or other (maybe even for daring to mock Sanjaya). It happens at Wal*Mart, in academia, in the blogosphere, at family reunion picnics… Everywhere & anywhere. And I’m sick of it.

Stop this incessant bitching about who is and isn’t being a good feminist or feminist role model. Stop worry about who wears lip gloss, bleaches her hair, & why. Stop making snide gossipy comments about who is a stay at home mom, a working mom, or a true career woman; who does or doesn’t have kids; who does or doesn’t have a man — who doesn’t even want a man — and why. Just stop worrying about what people choose to do (99 times out of 100, it has nothing to do with anyone’s safety or your life) and start worrying about whether people have equal rights to control their own lives.

That’s what feminism & true equality are all about.

farrah_fawcett_poster_1976And if you’ve got spectacular hair, a killer smile, and only-too-happy-to-be-seen perky nipples, good for you. You’re beautiful! Why on earth should I make that your cross to bear or discuss if that makes you “feminist enough?” I’m only worried if you’ve got the right to make your own choices in life.

And to hell with the rest of ’em who want to put you in a box.

Especially when the only box you really are in is your coffin.

Farrah exercised her ability to choose how to live her life as best she could; and that’s as feminist as it gets.

Men Claim They Are Dumb Animals With No Ability To Control Their Violence

G, aka ToxicShockTaco, commented here about some stupid comments she’s read & frustrating conversations she’s had online which prompted her to write this blog post. Following her links, I found the usual victim blaming mentality which serves to excuse criminal acts; things which shouldn’t surprise me because they are so commonplace. But still, like G, I can’t help but feel compelled to say what I can in hopes that there’s a chance to educate.

Among “Jimbo’s Jems”:

So, I guess if a girl decided it would be cool to smear raw ground beef all over herself & walk inside a pen full of hungry lions, getting eaten alive wouldn’t be her fault either, eh?

Or, on a more plausible note, if she thought it would be cool to walk into an outlaw biker bar & strut around half naked, she wouldn’t be considered to hold one shred of responsibility for anything that happened to her there, either.

Right?

OK, don’t you love how he compares himself & men in general to a predatory beast? And how he thinks sex = food?

Yes, the sex drive is biological, like hunger; but they are neither equal in need nor imperative. And even when it comes to hunger, humans — even the male ones who joke about the 5 second rule for food on the floor, would consider the possible consequences of eating raw (or even cooked) meat they just stumbled upon.

If I were a man, I’d be insulted that you forfeit male ability to exercise self-control. As the mother of a son, I’m angry. How dare you say that penis or testosterone equals inability to control one’s self! As if being male limits a person to some sort of reptilian, reactionary response — of a violent nature yet!

Even the comparison to “outlaw bikers” is ridiculous.

First of all, the very word “outlaw” means criminal, so obviously, the matter of safety is an issue for anyone — and if he meant Outlaw with a capital “O”, well, I’m not sure that violence towards women is in the bylaws… And in either case, I don’t think I’d toss around that implication lightly. (Frankly, I suspect, Jimbo is just throwing around pejoratives, playing with fears &/or negative opinions of bikers; my personal experiences with bikers of any sort, including Outlaws with a capital “O,” have been nothing but respectful — in fact, they have been the first to back me up when a drunk jerk hasn’t backed-off when told to.)

Secondly, with regards to his questions/accusations that a woman “strutting around half-naked” in any sort of a bar believes herself free from the responsibility of the actions of others, let me help Jimbo out here. Such a woman may be risking legal actions such as “indecent,” “disorderly,” and “harassment” — not to mention just plain rude — depending upon what exactly “half-naked” is, what the location is (strippers, for example, are more than 1/2 naked and they are not allowed to be assaulted or raped), and other situational issues. But yeah, she’s not responsible for what other’s do.

Jimbo continues:

Because as we all know, a woman should be able to wear anything she damn well pleases with no thought to the possible consequences, and any consequences she may suffer, will never be considered to be even partially her responsibility, even though she engaged in behavior that expopsed her to risk to begin with.

Right?

No, of course not. A woman shouldn’t be outside wearing a bikini in temperatures 40 degrees below zero. A woman should not violate dress codes at the place of her employment. A woman should not wear clothing soaked in gasoline, even if she’s not standing next to a burning building. And there are countless other situations in which women should follow rules of safety & convention. But “scantily dressed” or even “nude” does not mean that she has put herself in the path of sexual danger — the criminals stalk her down on her path, regardless of how she is dressed.

In case you can’t see the difference between sexual assault & the to-be-expected dangers of my particular examples, let me make them clear for you. In the case of bikinis outside in winter, the elements are not controllable, so humans must dress for the weather or risk threats of exposure to the cold. In the case of employer dress codes, the employee has agreed to the dress codes and risks loss of job if they do not comply. In the case of wearing gasoline-soaked clothing, well, frankly, there’s no reason to wear it and it would be risking burns & death from a spark from anything anywhere along with other health issues — all immutable laws of science which can & should be avoided by not being an idiot. However, in the case of being “half-naked” or whatever, becoming a victim of sexual crimes is not dependent upon immutable laws of science or medicine or legal contracts — it is based upon the actions of another, something one has no control over, outside of societal agreements & norms (which criminals are willing to break, no matter how the victim is dressed or acts) or, after the fact, courtrooms.

In any other area of life, all people, both men & women, are considered responsible for their own safety & well being. If you have unprotected sex with strangers & get aids, it will be considered your fault for engaing in risky behavior. Drive without your seat belt & get injured in a wreck, even your insurance company will successfully argue in court that you share some of the responsibility for your injuries. But when it comes to fashion choices & how a gal presents herself in public, whether by dressing in skimpy, revealing clothes or posting sexually suggestive pictures of herself online, suddenly reponsibility goes out the window & it’s a ghastly social faux-pas to even hint that she may have brought something on herself by the choices she made.

OK, so my other examples should make most of this clear, but…

Are you, Jimbo, saying that if a woman is raped by a stranger who doesn’t use a condom & ends up with HIV or AIDS, that she is at fault? Maybe that’s not what you intended, but I’m pretty sure it’s implied there somewhere.

Even if it’s not, when a person consents to sex with anyone, stranger or not, condom use or not, this act of sex cannot be be compared with rape in any way because rape is by definition lacking consent, you freaking idiot!

Ditto the seatbelt. Use or non-use of a seatbelt is a matter of consent. And when a woman dresses skimpy, the only thing she is consenting to is being dressed skimpy. She is not consenting to sex. In fact, the question hasn’t even come up yet.

Assaults, rape and other sex crimes are without consent. Which means she said “No” or was unable to say “Yes” by virtue of physical or mental state, and what she had on or off is absolutely meaningless. At this point of “no” or inability to give consent, any action or continuation is solely the act & responsibility of the rapist/attacker/criminal.

He is the perpetrator, she the victim; and he carries all the blame. Period.

So yes, it is “a ghastly social faux-pas to even hint that she may have brought something on herself by the choices she made,” you misogynistic twit.

Furthermore, when talking about rape, do not condescendingly refer to females as “gals.”

Of course stalking or raping a woman is criminal & morally wrong. But that doesn’t mean that it’s just perfectly OK for women to exacerbate their chances by making themselves a target.

How do we, exactly, “exacerbate our chances” of making ourselves targets of crimes which are perpetuated by criminals who hate women? That is the million dollar question. But this has nothing to do with, as you ignorantly believe & argue, the dress, talk or actions of women/potential victims, attractive or not. Simply by opting to remain ignorant (because you refuse to read the actual information, studies &/or statistics), you show no concern for the realities and safety of women and are exposing yourself as a danger to women.

More from Jimbo:

I don’t think most women really understand what the sight of an attractive, nearly naked female does to a man with an active libido. Most men can control themselves, but some just can’t. And those guys have eyes, too.

This is the belief system which exposes you as a man afraid of women. You believe women have “power over men,” rendering men, if they are not already unable to control themselves, powerless to T&A. I guess in your fear of the big bad women, you see on the horizon nothing but a future of weakness, pity & self-loathing for you & your gender and so you think men have the right to take what they want to ward this off. But, Jimbo, that’s not a man.

In another comment, Jimbo wraps up his philosophy:

You make it sound like I’m somehow excusing the act of rape, when I’m not. But I will state categorically, any woman who goes out to nightclubs by herself or even with another girl or group of girls, dressed in an ultra short, tight-fitting skirt with a plunging neckline showing off a lot of cleavage & wearing what Amy Winehouse referred to in song as “Fuck Me Pumps”, then spends the evening hanging out & flirting with strange men, is putting herself in a dangerous situation. And if something bad happens to her, while it might not be technically “her fault”, SHE BEARS A PORTION OF THE RESPONSIBILITY for doing all the things that put her in that situation.

So let me recap too.

By removing any of the responsibility from the person who committed the crime, you are excusing the perpetrator of that crime.

By placing any percentage of the responsibility, no matter how small, on the part of the victim, you are blaming the victim.

Here’s the math, Jimbo: The person who commits rape is 100% responsible.

Of course, I’m aware that Jimbo, if he reads this or G’s post, will just sneer. He’ll likely dismiss this post with his usual rhetoric, “It’s a total lack of a sense of humor & an air of deathly self-seriousness that all feminists seem to have in common.” Or maybe he’ll just call me a “fat old hag” — because that’s the other usual attack. *yawn* (Even if I was, it wouldn’t make me any less right, pinheads.)

But maybe, just maybe, we can reach a few more enlightened folks who at least want to believe that males can & should control themselves & their predatory instincts.

Whether they do or not, they are 100% responsible for their actions.

Your Momma Wears Capri Pants

I was reminded the other day (details to follow) of Christopher Titus & his stand-up bit where he hates on Capri pants, saying that they are butt-widening, leg-stumpifying, pasty-white-cankle-showcasing monstrosities that are neither pants nor shorts. Who can argue? Few can face the bottom (or leg) line of Capri pants.

audrey-hepburn-1953-mark-shaw-photographer

But the point of Capri pants is not to make you hate yourself for not being able to mold yourself into the (physical) ideal of Hepburn (Audrey, not Kate; Kate eschewed skirts and wore tailored “men’s” pants and was far more shocking than fashion-trend-setting Audrey) — Capri pants were supposed to be liberating.

Frankly, the discernible characteristics between Capri pants and peddle pushers (and, sometimes, leggings & stirrup pants — hello, 1980’s!) are few and fuzzy. I’m not just talking about fabric pilling on the knit versions either. Strictly speaking, Carpi pants are supposed to be a tad shorter and looser than peddle pushers, but for the sake of this post I won’t split hairs, except to give credit where credit is due — and the credit for peddle pushers goes to designer Lynn Eccleston in the 1940’s. Eccleston experimented with shortening the legs of women’s slacks and the sporty look caught on with active women who, like those who abandoned their corsets in at the end of the 1800’s, wanted more ease in riding bicycles — thus the term “pedal pushers.”

audrey-hepburn-in-dress-on-bike

audrey-hepburn-pedal-pushing-reporting-for-makeup-during-filming-of-sabrina

Some credit Mary Tyler Moore for making the pedal pusher and other pants fashionable; others prefer to cite Audrey Hepburn. Technically speaking, Audrey sported pants in the 50’s while Mary’s Laura Petrie didn’t hit small screens until the 60’s.

marytylermoorepetriepants

But for our purposes of discussion today, it’s tomato tomato — not tomato tomatoe — because both babes had figures to carry off the slim look.

And this, my friends, is the reason for the, “Yer momma wears Capri pants” slur.

Most women wearing pedal pushers have stopped pushing pedals. If they continued the liberating exercise of exercising, they wouldn’t end up being the (wide) butts of Titus’ jokes. Even the middle-age spread would limit itself to some thickening of the torso, rather than the pear and apple shaped figures most now have. (And even liberal use of sunscreen wouldn’t keep us pasty-cankle bound.)

But, by & large, we’ve stopped pushing pedals; now we’re just large. And so maybe we should stop wearing peddle pushers and Capri pants. No, not even with the “over-sized” tees, sweaters, and tunics we think hide all the problem areas. (Notice where Mary Tyler Moore’s sweater sits; she doesn’t need to hide hips, belly or behind.)

mary-tyler-moore-wearing-pants

I don’t wear Capri pants or pedal pushers, but I know why other women do. Like Titus said, they are neither shorts nor pants, so they seem to provide the middle of the road not-too-formal, not-too-casual fashion needs for summer. And if we had more choices, like we did in the 70’s and 80’s for light-weight colored denim and cotton pants, maybe we’d feel less pressed to push ourselves into unflattering butt-widening, cankle-baring pants. (Back then you could find warm-weather friendly pants in shades of watermelon, sunny yellow, every shade of Caribbean azuree inspired blue… Far more then today’s white & navy.)

OK, and some women wear these shorter length pants to show off their shoes. (And yes, Titus is right, this does include cork wedges.)

But mostly Capri pants are worn for physical comfort; not to be posing like the pedal pushers we aren’t.

What started me thinking about all this was spotting a young man at an outdoor event last week. In a display of teenage fashion defiance, he was wearing all black — from head-to-toe in the sweltering high temperatures. Following the solid, if somewhat wash-faded, black line of t-shirt to canvas belt to jeans, I was jerked to a stop at the wide folded denim cuffs at his calf where a 4-6 inch wide white swatch of pasty mid-west skin glowed glared behind its decorative tufts of hair. From there, more black: black socks over the edge of comically huge black combat boots. Seriously, clown shoes are smaller.

Between the heat, the black clothing, & the weight of those shoes, he half-crawled to his seat where he tried to make it look like he was nonchalantly sprawling himself instead of, as he was, stumbling towards & falling to a seated rescue.

The only thing that kept me from bringing him some water to revive him was the knowing look his white Capri pants wearing, non-heatstroke affected mother and I shared. (And then I had to turn away and make a non-related animated conversation with hubby so that I could release my held laughter.)

My point is, if you missed it and insist that I have one, is this: He was a poser, hiding behind his costume.

If over-weight women are to be mocked for exposing their least flattering sides (physical attributes and the attitudes which created them), then I feel the need to point out the ridiculousness of faux poser cool melting in the sun.

So the next time you want to mock someone’s momma for wearing Capri pants, be sure you & yours are not equally guilty of some fashion posing; I assure you, your sacrifice of comfort (and health) is no more flattering and it is equally noticeable.

And while we’re talking about such things, let me say, “Get on your bike and ride it!” Whatever you’re wearing, you’ll look & feel better for it.

audrey-hepburn-in-capri-pants-on-bike

We’re Sick, Sick, Sick Of Violence & Hatred Towards Women

The following was written by Tenured Radical after the May 2009 campus shooting at Wesleyan, but it sums up so much for me and others (some of which wonder if the US flag flies for women too) that I had to share it:

But can I say one thing? I am sad, but I am also angry. I am sick, sick, sick of men beating, brutalizing and killing women and children, of boys brutalizing their girlfriends, of fathers raping and killing their wives and daughters. All these years after second wave feminists first raised this as a fundamental problem in our culture during the 1970s, the media, the police and our judicial system still treats each of these things like an isolated incident of individual pathology. And there seems to be no organized feminist movement left to insist, in contradiction to this vapid construction, that the hatred of women by men is a systemic cultural and political problem in the United States. I am sick of men who think they acquire ownership rights to women because they fall in “love” with them, men who think that “love” entitles them to do whatever the hell they please to keep women under their control so they can “love” them even more. I am tired right now and have nothing eloquent or intelligent to say on the topic, but if this short rant feeds your feminist outrage too, go to this post by Historiann about the Loyola University tragedy, where Daddy decided that his life wasn’t worth living and then imagined that the rest of the family would be better off dead too, a not uncommon scenario. I end with a quote from Historiann’s post:

Just curious: how many women and children (especially girl children, as in this case–2 women and one girl were the victims here) have to die before someone notices? One woman is accused of a child murder out in California, and that’s all we hear about all day long. But husbands apparently have carte blanche when it comes to murdering the women and girls who lived in their homes?

What’s your guess, friends? (Are you holding your breath?) If 2,100 women and children are killed simultaneously on live television by their male partners and fathers, even if it’s not by jetliners crashing into buildings, do you think anyone will notice then?

Refreshingly Honest Pond Scum

I have mixed feelings about AshleyMadison.com, the “married dating & affairs” site… With a trademarked tagline of “Life is short. Have an affair.” they’re really putting the “tery” in adult dating sites. The adultery dating site even guarantees “an affair to remember.” While I suppose divorce court, public shunning, and loss of respect from your own family are all things you’d remember (literally protecting the guarantee), what the guarantee actually does is offer your money back if you don’t err, have an affair.

According to this article (page 2):

It’s free to become a member and to create a profile and search others. But to chat with another member, a user has to buy credits– $49 for 100 credits (it takes five credits to initiate a chat; subsequent back-and-forth chats are free). For the Affair Guarantee Membership it’s $249 and the Web site will refund your money if you don’t have an affair in three months. “If somebody had a genuine, sincere message and sounded like a nice person, I would send a message back,” she says. “You had to really weed through those who didn’t want what you wanted.”

(And don’t you just love the idea of a person screening requested messages for affairs for “genuine, sincere & nice” people to cheat with?)

Obviously, the whole idea is disheartening. But these people are going to break their vows with or without AshleyMadison.com — and if that means there are less of the lying cheats on other dating sites and social networks, then that’s a good thing. And hey, at least these like-minded cheaters are being honest with one another; they are all saying they are just there to get inside one another’s pants.

Then again, I suppose AshleyMadison.com has its own liars… People who aren’t married who just want a lay. But again, let them stick to fishing in that dirty water with the other pond scum — refreshingly honest pond scum.

History Is Ephemeral Carnival, 3rd Edition

history-is-ephemeral_big Welcome to the third edition of the History Is Ephemeral Carnival, where collectors of ephemera & history lovers share & obsess. (If you’ve got old paper & their stories to share, please submit your post to this monthly carnival via the carnival’s submission form.)

Old Clippings & Articles:

Hot On The Historical Ephemera Trail… In The National Enquirer?, written by me & published at Collectors’ Quest.

Andrew Amelinckx presents The Belgian paupers posted at Old Smoke Bio, saying, “While doing research for a book I’m writing, “Old Smoke,” I came across a small article on 12 Belgian immigrants who ended up in a NYC jail. Being of Belgian ancestry it peaked my interest and here is the result.”

Cliff Aliperti presents The Sporting News Coverage of Lou Gehrig Surpassing Everett Scott’s Record posted at VintageMeld.com.

I’ve also published Now It’s Really The Last Laugh & Twitter Of 1950 here at Kitsch Slapped.

Old Books, Pamphlets & Publications:

Jdou presents Late-breaking news on Regnault-Warin’s controversy posted at A Revolution in Fiction, saying, “Tantalizing hints unearthed about an unknown best-seller of 1800, the novel _Le Cimetiere de la Madeleine_, which was searched, seized, and destroyed by the French police for over 2 years!”

In Chapter 419 Useful References About Ephemera, Chris Lowenstein of Book Hunter’s Holiday show us antique women’s suffrage publications.

Also, Chris shares a neat old pamphlet at The Fine Book Blog.

Azrael Brown Acquisitions: Hansi’s New Life posted at Double-Breasted Dust-Jacket.

Stamps:

At Ephemera, Marty Weil presents Lincoln Ice House Cover Stamp.

Photos, Postcards, Etc.

At Stage Whispers, Carla Cushman has two excellent pieces: Drag Kings of Theater and Drag Queens of Theater.

Tattered & Lost presents Is She Or Isn’t She? posted at Tattered and Lost Photographs.

Honorable Mentions:

GrrlScientist‘s Unholy Business: A True Tale of Faith, Greed and Forgery in the Holy Land (posted at Living the Scientific Life) is a review of Nina Burleigh’s book on one of the greatest hoaxes of all time — which includes the forged Joash Tablet. Are stone tablets ephemeral? Maybe not; it depends on the purpose, I suppose… But I can’t resist a good case of historical fraud.

Also, don’t miss my review of The Soiling Of Old Glory, it’s a biography of one singular photograph. (And I sure learned a lot!)

That’s it for this edition! If you found some interesting ephemera, please, submit your blog post/article — or one you like — to the next edition of history is ephemeral using the carnival submission form. (Past posts and future hosts can be found on the blog carnival index page.)

Does Mattel Sock It To Us With Goldie Hawn Barbie?

Speaking of flags painted on Goldie Hawn’s body on Laugh-In

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To celebrate Barbie’s 50th anniversary, Mattel’s 2009 Barbie Doll releases feature a number of iconic retro doll re-do’s & celebrity dolls — including a very accurate version of Goldie Hawn as seen on Rowan & Martin’s Laugh-In. Look at the incredibly detailed reproduction of Goldie’s bikini & body painted tattoos, as seen in 1968:

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Part of the Blonde Ambition Collection (officially said to be available July 1st, the Goldie Hawn Barbie is available now at eBay, Amazon, and a few select doll retailers), Goldie joins Marilyn Monroe as a vinyl delight for collectors.

And this doesn’t offend me in the slightest.

In fact, I want one.

While Babs has often been cursed as the vinyl bringer of doom, providing body image issues to little girls everywhere, I don’t have a problem with a pop culture history reproduction. And it’s not because I’m a collector &/or that Barbie’s boobs have been reduced for the Goldie version.

First of all, the Goldie Hawn Blonde Ambition Barbie is for adults; not kids.

Kids should not be given a doll they do not understand (and that includes the societal context of the times she comes from). Kids also shouldn’t reduce a $40-50 doll to garbage; and let’s face it, Goldie’s tats, understood or not, would be abraded away with childhood play.

We adults already know of Goldie & the cultural context of the time. Our body image issues, however affected & formed, are also our own responsibilities; we are old enough to say to ourselves and the world, “I’m a woman, I look like this, and I’m happy with it.” Or not, as the individual case may be. (And then we should seek help for our own issues, no matter how they were formed; finger pointing alone won’t help us love our bodies or keep them healthy.)

Second of all, as a feminist, I have a long and deep relationship with Barbie.

I played with Barbie as a young girl. And, while my sister thinks it’s so hysterical that she tries to embarrass me with this fact, I have no problems admitting it: I played with Barbies until I was 16. I loved to take pretty vintage handkerchiefs & other bits of fabric and pin them on my dolls, then pose them in little vignettes with the Barbie accessories, in the garden, etc. I was exploring visually, creatively with the tools I had at the time. I couldn’t sew; so I pinned on the fabric. I didn’t have a real camera (and the means to pay for all that film & developing); so I created scenes & literally used my hands to frame the images I’d capture in my mind’s eye — reconstructing, reposing, redressing, until I saw what I wanted.

I could be odd — and this may not be the “most normal” Barbie play; but then, when I see other kids playing with fashion dolls, I see quite a bit of that too… I don’t think my “oddness” stems from how I played — or how long I played — with fashion dolls.

Of course, as I got older I became suspicious of Bab’s and her figure. This was further complicated by media images, feminist discussion, and the fact that I looked far more like Barbie than most of my friends & family did…

I noticed that in books, films, television shows, etc., that the voluptuous women were most often the “evil” ones. We big-busted women were depicted as “man traps” and were not to be liked or trusted by other women either. Our assets were too compelling. We were competition. Our looks garnered looks — and the whole thing was diabolically unnatural (even when it was all so completely natural). It was bad, we were sinful; therefore we were The Enemy.

It was saddening, maddening.

But it wasn’t Barbie’s fault. It wasn’t even Mattel’s fault.

As a society we were sold on beauty & sex appeal, no matter how realistic or not the standards are; but if you dare to have it (and this was something deemed & defined by others, it was not even necessary for it to be exhibited or used by yourself), you were viewed suspiciously… Punished, ostracized.

But it wasn’t something a plastic doll did. And the only reason Mattel and others could sell it was because our culture greedily consumed it. And then made weird judgments about it. WTF.

While some blame Barbie for unrealistic body image, others condemn the doll, her world and her friends for an insipid, unrealistic, & exaggerated sense of romance; I find she exposes even more about our twisted cultural values & expectations. Barbie is a useful tool.

This relationship with Barbie is one I’m still trying to figure out… And the commercial processing of more dolls, how the marketplace reacts to them, and the resulting opines of others could all just get me closer to some better understanding.

Besides, if I don’t like Barbie, I don’t have to buy her — for myself or anyone else. What’s more, I can let her coexist in this world without buying her ideals either.

Some Lessons In The Soiling Of Old Glory

the-soiling-of-old-glory-the-story-of-a-photograph-that-shocked-america-by-louis-p-masurAt Collectors’ Quest I just reviewed Louis P. Masur’s The Soiling of Old Glory: The Story of a Photograph That Shocked Americaa book I can’t recommend highly enough.

While the book is based on a very famous photograph, the Pulitzer Prize–winning photograph by Stanley Forman, taken on April 5, 1976 at a Boston rally against forced school busing, I’d never heard of or seen the photo before.

I don’t know why.

I was 12 years old at that time and I remember vividly Watergate, Viet Nam, etc.; so I obviously absorbed news. And I’ve always been interested in, sensitive to, and emotional regarding matters of race — something I’ve since put down not only to a combination of being human, being female (and so recognizing oppression), and “white guilt,” but as spiritual residue from being born on June 21, 1964, the date of James Chaney, Andrew Goodman, and Michael Schwerner were murdered (something I never knew until I was about 25 and rented Mississippi Burning). Plus, I’ve been a very avid student of history. So just how the incident & photograph escaped my knowledge is a mystery to me…

But once I found Masur’s book, my ignorance left.

And not just my ignorance regarding this (and other) incidents of relatively recent racism in this country (and in “the liberal north” yet!), but about photography, art, symbolism… And this country’s flag.

I had no idea that someone from my home-state of Wisconsin was so influential in the creation of National Flag Day, or that the Milwaukee Daughters of the American Revolution played a role in early anti flag desecration legislation. In fact, I had no idea that there was such concern over flag desecration as early as the late 1800’s. But what really rocked my cynical world was the reasoning behind it. Masur wrote (pages 98-99):

Even as the flag came to be venerated in the late nineteenth and early twentieth centuries, it became subject to another kind of treatment: desecration. Of course, it makes perfect sense that the two might emerge side by side, an object worshipped and reviled, an icon and a target. Reports and pamphlets in support of legislation against federal flag desecration began to appear, primarily in response not to overt acts of destruction but to the commercial use of the image of the flag. Arguing that “old glory is too sacred a symbol to be misused by any party, creed, or faction,” one writer included a list of objects on which “old glory… is treated with grave disrespect or used for mercenary purposes.” The items ranged from pocket handkerchiefs and doormats to lemon wrappers and whiskey bottles. In 1890, the House Judiciary Committee recommended passage of a law that made it a misdemeanor to “use the national flag, either by printing, painting, or affixing said flag, or otherwise attaching to the same any advertisement for public display, or private gain.”

What strikes me so odd — not that it should, I suppose — is that folks were so upset by the commercialization of the U.S. flag.

What on earth would they think of today’s patriotism? Of our current state of ridicule of anyone not wearing or displaying, on person or product, an American flag?

That sound you hear is the thud of fainting conservatives from the late nineteenth and early twentieth centuries. Or maybe it is the screams of horror from the same.

Once I wrapped my mind around such societal flip-flop, I then was left to revisit my own memories of the flag. A flag I’d seen on so many things… And that was before 9/11.

Heck, walk down any major isle at oh-holy-Wal*Mart this week, and try not to find something with the U.S. flag printed on it — tank tops with the flag & little white puppies, disposable plates with flags on them, socks with flags & fireworks, seat cushions… Endless. And all made to be profited from.

Was the Bicentennial responsible for this?

Back then (and I don’t mean just 1976, but the years surrounding it too) we had our school pictures taken with flag backgrounds, ate off flag forks, plastered cafeterias with flag-printed crepe paper & balloons, even applied flag printed toilet paper to clean our dirty butts. It was as bad as Masur notes, and, as he quotes, by then at least one member of the Sons of the American Revolution was OK with such kitsch: “I see no harm in these Bicentennial products. There is no harm in making a buck.”

But while the Bicentennial was the height of flag kitsch, I had some memories of flag use and “abuse” before then…

Again from Masur (page 107):

The meaning of America and the meaning of the flag went together. As the counterculture of the late 1950s and the 1960s came into prominence, attempts to redefine America often meant desacralizing the flag by wearing it. The cultural rebellion of the 1960s necessarily implicated the flag. [Allen] Ginsberg came to sport a top hat with the American flag motif. In discussing Ken Kesey, the Merry Pranksters, and the drug culture of the 1960s, Ginsberg argued that “they didn’t reject the American flag but instead washed it and took it back from the neoconservatives and right wingers and war hawks who were wrapping themselves in the flag, so Kesey painted the flag on his sneakers and had a little flag in his teeth filling.”

This was as I recalled from my television set. The protest film footage, the body paint on Goldie Hawn & Judy Carne on Laugh-In (and if the girls hadn’t actually worn flags painted on their bodies, well, I said it was as I recalled it…) It may not all have been as commercial as the Bicentennial kitsch was; but it was there, making it’s own statement, whether you dug it or not.

In the end, I agree with Supreme Court Justice Robert H. Jackson who, ruling on West Virginia State Board of Education v. Barnette in 1943, said:

To believe that patriotism will not flourish if patriotic ceremonies are voluntary and spontaneous instead of a compulsory routine is to make an unflattering estimate of the appeal of our institutions to free minds. We can have intellectual individualism and the rich cultural diversities that we owe to exceptional minds only at the price of occasional eccentricity and abnormal attitudes. When they are so harmless to others or to the state as those we deal with here, the price is not too great. But freedom to differ is not limited to things that do not matter much. That would be a mere shadow of freedom. The test of its substance is the right to differ as to things that touch the heart of the existing order.”

I don’t for a moment consider the use of the flag as a weapon to be anything other than criminal; that’s not my intent in any way. While the photo and exploration of the cult of flag connect in Masur’s book (they have to; the flag as symbol must be discussed), that’s not his point either. But what you have to see is a time, not long ago, when many felt the flag, like the country, didn’t represent them any more.

Here Masur repeats a quote Kenneth Clark published in Dark Ghetto:

The flag here in America is for the white man. The blue is for justice; the fifty white stars you see in the blue are for the fifty white states; and the white you see in it is the White House. It represents white folks. The red in it is the white man’s blood — he doesn’t even respect your blood, that’s why he will lynch you, hang you, barbecue you, and fry you.

There are many times I feel that way. Not just in theory. Not just as continuing amateur historian. But as a woman living her life here as a second class citizen. Without equal pay. Without the same recourse & credibility when she stands to seek justice. Without recognized rights to her own body. And with far greater (& societal accepted) risk of violence & sexual assault.

Why isn’t my gender’s blood part of the red on the flag?

I feel a reclamation-of-the-flag art project coming on.

Happy Fourth of July.

Twitter Of 1950

Quick, a vintage news weekly magazine, promoted itself on page 65 of the July 31, 1950 issue, with quotes from readers (along with a subscription form, should you so be moved), which illustrate that the “quick” news blurbs and short “frequent,” “accurate,” and “up-to-the-minute” information was “invaluable” to professionals, such as John L. Gary, Superintendent of Schools, La Center, Washington, and Margaret Webster, “distinguished Shakespearean director.”

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Then people were thrilled to receive “digests” of “what is going on in the world,” to have “short-cuts” assisting them, helping them save time in a rapidly moving world — just as those of us who use Twitter do now. Well, at least that what Quick wanted you to think so you’d be moved to clip that subscription form and send it in.

I had just scanned the page from Quick magazine so that I could make the pithy comparison and add this 1950’s update to your history of Twitter (see also: Robot Messenger Displays Person-to-Person Notes In Public, Aug, 1935), when what do you suppose happened?

Just a few days later, presumably after finding & reading my article about the vintage publication, Clyde Hostetter, Professor Emeritus at California Polytechnic State University, emailed to ask if I have a copy of Quick published about 1948 “with a cover photo of sick women lying in a hospital corridor as the result of a mass food poisoning in Topeka, Kanas.” Seems Mr. Hostetter, then a writer/photographer for what was then the Topeka Daily Capital, is the one who took the photo of the woman suffering from food poisoning and, it being his first & only cover photo on a national magazine, he was eager to have a copy of it.

This is not the first time I’ve been delighted to make connections with people over my old magazines & ephemera; for example, I’ve helped provide images for the new walking tour of the Hingham Shipyard Historical Exhibit & helped family of legendary poodle trainer, instructor, & author Blanche Saunders find out more about “Great Aunt Blanch.” So it was with sincere regret that I wrote back to Hostetter to inform him that I did not own the copy he was looking for (even though I write about things found in Quick quite often, I currently only have three issues of that magazine). I told him if & when I discover a copy, I’d be sure to let him know.

Hostetter did have a great gem to share about the good old days of journalism — and it’s equally applicable to today’s discussion of Twitter & blogging:

I forgot to mention the joke that went around in the newsrooms when Quick first hit the newsstands with its acutely shallow summary of the week’s news. It was said that Fleur had another idea for a magazine called WORD. It would be published weekly like Quick. Every week the editorial staff would gather and chose a word for the total content of that week’s issue.

I find it very interesting (and, I’ll admit, somewhat amusing) to consider those days of print journalism, the old guard & the new guard competing against the assault of that new menace, television, discussing integrity & worthiness. Its comparisons to newspapers and magazines today and their view of the internet and digital media cannot be underestimated. And the super news is that Mr. Hostetter seems willing to continue sharing his memories of those days… So stay tunned to read more in the future.

Sit On A Pin-Up

I should probably save this for Fabric Swatch Friday, but I was too excited to tell you that Samantha Hahn made this fabric for a chair:

starlet-harlot-pattern-fabric-by-maquette

Yes, I said “made this fabric,” because once she designed this pattern, based on Ava Gardner, Claudette Colbert and some others (she calls it of “starlet harlots“), Samantha used Spoonflower to have her custom fabric printed on demand.

Yeah, you heard that right; you can create your own fabric pattern and then have Spoonflower print it — on actual fabric — for you. Wowza.

Anyway, once your blown mind settles down, click here if you want to see Samantha’s pin-up chair (and get a testimonial about Spoonflower too).

Whatjamacallit Wednesday: My Therapy Doll

Maybe I call her “My Therapy Doll” because I’ve got special needs kids & so I spend a lot of time dealing with therapists; because she’s really a four-sided doll displaying emotions. The printed fabric doll is weighted at the bottom to stand, has straw hair, & felt embellishments to show four emotions, which are named via printing at the bottom so you don’t get confused (which is not an emotion displayed on the retro doll).

Images may not be used without crediting me & linking to this blog.

I am happy today

i-am-happy-today

I am sad today

i-am-sad-today

I am bored today

i-am-bored-today

I am furious today

i-am-furious-today

Is He Just Killing Time With You Until The Next (Or Better) Girl Comes Along?

Have you ever wondered if your mate would stray if given the chance? Do you question if you should trust he or she? Have you been dating for a short period of time and question how committed they are to the relationship? Instead of going the mature route, why not put them to the test with hidden cameras — and then broadcast it on television?

Pitman Casting is now casting men and women for a new relationship gameshow which will test your mate’s intentions with the help of hidden cameras.

Mmm, sounds exploitative and humiliating; but if you’re into that sort of a tasty bitter dish, email photos of you and your mate as well as a paragraph about your relationship to: castingmate@gmail.com

Tell ’em Alessia of Relationship Underarm Stick sent you (and sure, tell ’em I mocked it too lol).

New Vintage Reviews Carnival, Third Edition

new-vintage-reviews-carnival_bigReuse, recycle — rejoice! Welcome to the third edition of the New Vintage Reviews Carnival, where we review “old stuff” that is likely new to someone… We hopes that it inspires you to dust off the things in your closet, mom’s basement, grandma’s attic etc. and put them to use again.

Games:

In The $1.99 Career Change?, I review Parker Brother’s Careers game, here at Kitsch Slapped.

In Vintage Game Nerd Alert: Bottoms-Up, I review the vintage Bottoms-Up game by E. S. Lowe at Collectors’ Quest.

In Let’s Play Shutbox, I review the classic Shut The Box game, here at Kitsch Slapped.

At Cal’s Board Game Musings, Calvin Daniels reviews Harry’s Grand Slam Baseball.

Books:

Kerrie presents Agatha Christie’s The Mysterious Mr. Quin at Mysteries in Paradise.

At Sharing Experiences, Andy Hayes presents Life Imitates Art: Ayn Rand’s Atlas Shrugged.

Films:

In Monday Movie Meme: Trauma In Your Drama?, Jaynie Van Roe reviews Easy Rider at Here’s Looking Like You, Kid.

In The Ugly Dachshund Is A Beautiful Great Dane, I review The Ugly Dachshund at Collectors’ Quest.

Classic Kitschy Travel Destinations:

In the Retro Museum of Awesome, Dave reviews the Retro Arcade Museum (at NYCResistor).

At Retro Road Map, ModBetty reviews the Trailer Park Lounge.

Honorable Mention:

Jim Murdoch presents The Truth About Lies: The Sonnets posted at The Truth About Lies. — a new (2008) novel on a very old subject.

That’s it for this month!

Please submit your blog articles to the next edition of new vintage reviews using the carnival submission form. Past posts and future hosts (maybe you’ll be one?!) can be found on our blog carnival index page. For more info, read this!

Can’t Be A Sleeping Beauty On Real Issues

Via Teacups & Couture I found the works of photographer Dina Goldstein which follows up with fairy tale princess and their “happily ever afters.”

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Goldstein shares her exploration of Disney Princesses in Fallen Princesses at JPG Magazine:

These works place Fairy Tale characters in modern day scenarios. In all of the images the Princess is placed in an environment that articulates her conflict. The ‘…happily ever after’ is replaced with a realistic outcome and addresses current issues.

The project was inspired by my observation of three-year-old girls, who were developing an interest in Disney’s Fairy tales. As a new mother I have been able to get a close up look at the phenomenon of young girls fascinated with Princesses and their desire to dress up like them. The Disney versions almost always have sad beginning, with an overbearing female villain, and the end is predictably a happy one. The Prince usually saves the day and makes the victimized young beauty into a Princess.

As a young girl, growing up abroad, I was not exposed to Fairy tales. These new discoveries lead to my fascination with the origins of Fairy tales. I explored the original brothers Grimm’s stories and found that they have very dark and sometimes gruesome aspects, many of which were changed by Disney. I began to imagine Disney’s perfect Princesses juxtaposed with real issues that were affecting women around me, such as illness, addiction and self-image issues.

There are 2 more to be shot for this series which is going on exhibit on Oct. 15/09

The images are striking; the subject matter near to my heart.

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I did some work in college on the messages in Disney images & stories. My project, Damaged By Disney, was similarly inspired by watching my then very young daughter digest Disney images — and now that I’ve had nearly two more decades of additional experiences I find I am only more interested.

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I had to talk with Dina to see just what the two planned photographs would be about.

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I was hoping she’d use one of the last two works to explore violence against women — it’s such a huge problem, one that’s not very well understood, in large part because few want to discuss it. Domestic violence and sexual assault of women are not covered as often as they should be; they are dismissed from discussion, deemed one part “taboo” and one part “drag.” But as both a survivor of domestic violence and a victim of date rape, I was hoping Goldstein would use her considerable talents to bring up the subjects.

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When I asked Goldstein, she confessed that the two planned photos, featuring Ariel and The Princess & The Pea, would not address domestic violence or violence against women.

:sigh:

But I do think that I’ve planted a seed — Nay! I’ve placed the Domestic Violence & Violence Against Women peas beneath her mattress, and now I must just wait to see how many sleepless nights it takes to convince the photographer to lend her visual voice to the issues.

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Let’s Play Shutbox

When I was a little girl, my parents would often get together with my mom’s parents & siblings to play cards — usually Cribbage, but sometimes Sheepshead. When I was too young to play, and even when I was older & had learned to play those games but then forgot again because I preferred my nose in a book, I played games by myself. Along with the classic Solitaire, one of the games I played was Shutbox.

Shutbox was what we called it; but I guess that’s the abbreviated name for Shut The Box.

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The game is simple, but because your success at the game is up to the whim of the dice, it isn’t as boring as it sounds. (Of course, like Solitaire, when you win at Shutbox, you believe it’s entirely a game of skill.)

How it’s played:

You start with all the numbers visible, or in the case my retro black & white plastic game, all the numbers “up” (or “down,” if that’s your preference).

You roll both dice, and then shut, flip or slide, the numbered tiles that add up to the total sum of the numbers rolled. For example, I rolled a 12, so I slid the 9 & 3.

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You roll again, and do the same — but once a number is slid or flipped, it cannot be used again.

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Over & over again you continue until either:

* the remaining tiles total less than 6, and only 1 die is rolled (this rule varies by household/location)

* you reach the point where no tiles can be slid/flipped for the rolled numbers

* you’ve flipped/slid all the numbers and “shut the box”

When you shut the box, you win; but when you have numbers left over (numbers that cannot be slid/flipped), you add them up and that’s your total to beat next time.

Shutbox can be played alone, or you can play with an unlimited number of people, each trying to best the other at “shutting the box.” When you play against others, the person with the lowest score wins — and if more than one person shuts the box, then those people compete again (sort of championship round).

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There are also other versions too. For example, players may agree to go many rounds, keeping a running score, and the winner is the one with the lowest cumulative score. Another example, is to play in teams, combining teams scores to see which team has the lowest cumulative score.

And, I guess, in some schools (and Mensa gatherings), the game is played based on multiplication, etc.

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My game is a cheap old plastic one, but when I spotted a nice newer wooden one a week ago at a rummage sale (for a whopping 50 cents!), I got it for my 20 year old daughter. Not only do I love the mod style digits on my plastic Shutbox game, but this one, with it’s electrical taped sides, was from my grandparents. They gave it to me when I moved out and I can’t tell you the number of memories it has for me…

Not only do I fondly remember my grandparents teaching me to play, family members playing with me, and my afternoons & evenings playing Shutbox at grandma’s house while the adults laughed and played cards, but that game was my sole companion as a single parent to a baby who sometimes had to cry herself to sleep.

And then there were the times Shutbox was the center of Girls’ Night Out and turned into a drinking game or a gambling game (hey, IRS, we played for, uh, pretzels – yeah, pretzels). We didn’t pervert the family friendly game; Shut The Box has a long history as a bar or pub game — and before that as a game sailors played to pass the time on long voyages. There are even Shut The Box bar leagues in some places.

So, the next time you’re at a garage sale, flea market or thrift shop & you spot a Shutbox (with or without dice), grab it and give it a go. It’s a very versatile game.

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Cheap Thrills Thursday: Now That’s What You Can Do With Old Dawn Doll Heads!

In which I show you things I got so cheap, it’s embarrassing — for someone other than me. I love my bargains.

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This vintage boudoir doll is made from huge (baby diaper sized) safety pins, beads, some wire, and a small vinyl doll head (which reminds me of Dawn Dolls).

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No, I won’t take her apart to show you how she’s made — I lurve her. Plus, she was a quarter — and supplies will cost more than that. But if you want the all-expense-paid fun of making one, here are what appear to be the instructions. (Really crafty folk probably guessed all of this anyway.)

When He Just Wants To Get Into You

Vittorio at Toronto Men Unite, a blog encouraging “open and honest discussion” about “the problems many men face in the ‘trenches’ of modern dating,” writes the following in Why Men Lose Interest After Sex:

Many women mistakenly believe that the only reason guys lose interest after sex is because they gave it up too soon. While this is true sometimes, there are other reasons as well. One reason is that the men only wanted to have sex one time, and then move on. So witholding sex will not change this outcome.

Another reason is, men lose interest because the women have difficult personalities. Let’s look at this one more closely. Some women have difficult personalities, and guys will put up with them until they get the sex, and then they will bail shortly after. If these women had sex after one date or several dates the result would have been the same – the men would have ditched them regardless.

Sometimes, these women mistakenly assume that the solution is to hold out on sex even longer the next time. It never occurs to them that they are the problem.

Yeah, that sure sounds like women are the problem — why won’t we just understand & accept that, despite what they tell us on dates, that all men want is sex. Even if that sex is with a woman with a “difficult personality.” What are we women, stupid or something?

But why would we consider the problem is “us” when men play such games?

If all a man wants is to get laid, why doesn’t he walk up to a woman & say so? “Hi, I’m Bob and all I want to do is screw you.”

He doesn’t do it because he’s afraid of the, “No way, Jose,” response. So he decides to lie to get his lay. And then complains about what happens.

*snort*

Worse yet, he uses the “cycle of f***-and-dump,” as he calls it, as a way to explain women and their “difficult personalities” — of course, he neatly leaves out any responsibility from men in their creation; this is all something that just happens to women. It is to be expected:

If the cycle of [f***]-and-dump continues, it can feed increasingly neurotic behaviour. These women can become increasingly demanding before and after they have sex with a man, needing constant attention and affirmation from the men that they will stick around. This of course has the opposite effect, driving the men away, which in turn can further compound the problem, causing the women to further “ratchet” up their efforts. The result is an insanely demanding woman who pulls out all the stops, even by going so far as screening men right away to make sure they can provide all that she needs, so that she doesn’t “waste time”. It’s a sick cycle.

You’re right, Vittorio; it is a sick cycle. But it’s not neurotic; it’s a learned self-preservation mechanism. And it begins with men who pretend to want more than sex.

If you want to break the sick cycle of “neurotic cock-blocking,” why not stop the “f-and-dump” cycle? Be honest, admit you’re just after sex and take getting shot-down like a man.

Vittorio finishes up his post with the following advice to men:

As men, you need to trust your instincts. If a woman shows signs of insecurity and possessiveness at the beginning, she is most likely a time bomb ready to explode. So cut your losses early.

Me? I say first of all that males need to act like men, be honest and face the rejection. And second, women, follow your instincts; if he shows signs of being a dawg, he probably is a dawg and block him accordingly. And feel free to be as neurotic as you like about it. You’ve got my permission.

On the other hand, when an honest guy actually says he justs wants sex with you, please praise him for his honesty. Your praise need not include putting out (unless you’re already agreeable!), but at least throw the guy a bone for being honest about the fact that he’s only in it for the bone.