To modern eyes, this is surprising. “Pink is a girls’ color,” we think. This association has become so firmly entrenched in our cultural imagination that people are flabbergasted to learn that until the 1950s, pink was often considered a strong color and, therefore, was associated with boys.
See also, When Did Girls Start Wearing Pink? at the Smithsonian: http://www.smithsonianmag.com/arts-culture/When-Did-Girls-Start-Wearing-Pink.html
See on thesocietypages.org
These days, models like Keira Knightley (inset) pose open mouthed, their eyes half-closed as if in a state of arousal. Sometimes they lie on their backs, like Rosie Huntington-Whiteley did recently.
Despite the fact that this issue was discussed back when I was in college decades ago — and likely long before that, this article makes the following claims:
See on www.dailymail.co.uk
While searching through the attic of his father’s house, a son came across boxes of old items. The most interesting were piles of love letters sent from a man named Max. From 1913-1978, Max and Pearle wrote each other. All his letters begin with “My Sweet Pearle” and end with “Forever yours, Max”. These letters were supposed to have been burned when Pearle passed away in 1980, but the family didn’t honor those wishes, and one of the greatest love stories began to unfold.
In 1911, a woman named Pearle Schwarz met a man named Maxwell Savelle at the Country Club. They fell madly in love. Unfortunately, Maxwell would not convert to Judaism (his parents were Southern Baptists) and so they could not be together. They went their separate ways – Maxwell went into the Navy and Pearle continued to pine for him until she died. She never let go.
See on www.viralnova.com
Femme fatale Geli Raubal was found with a bullet in her chest and Hitler’s gun by her side. Who fired Hitler’s gun that night?
The unresolved and hastily covered-up death in 1931 of Geli Raubal, Hitler’s half-niece and romantic obsession, has long been relegated to the murky footnotes of the Führer’s early career in the demimonde of Munich.
Image of Angela Maria “Geli” Raubal via Find A Grave: http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=22116
See on www.vanityfair.com
At the Picture Collection and Periodicals Collection at the Visual Arts Library blog, a post featuring some materials from a “Gangs, Cults & The Occult” folder. Among the most interesting to me (at least at the moment), was this one:
Below the “Shriners at play”, there is an intriguing passage from what appears to be a work by Paschal Beverly Randolph. Randolph was, among other things, a medical doctor, occultist, and writer who is often noted as the man to bring the principles of sex magic to North America. Since this about secret societies, Randolph is also said to have established the earliest known Rosicrucian order in the United States and to been a member of the Hermetic Brotherhood of Light. But it is the sex magic which seems to stand out here. If this is by Randolph, the full passage, circa mid-1800s, would then read:
The average husband’s wife is full of aches, pains, wrinkles, gray hair, fallen womb, [lencorrhae]; and a good many of them are nicely inoculated with syphilis by their lords, and the doctors hide it, and their ignorance too, and call it “Fluor Albus;” besides which, the usual husband attacks his victim as pigs their food, for all the world as if she had neither soul, sense, feeling, womanhood, delicacy, or human rights. At the beginning he says, “Now!” at the end he grunts, “There!” and, instead of a loving, grateful hug and kiss, in five minutes he is snoring away like any other hog; while she, poor soul, sobs her life away, and wonders how long she is to remain in that particular section of Hell. He never tries to change her cold to warmth—her indifferences to chaste desire; nor knows he aught of the meaning of use of gentleness, persuasive caresses, continual kindness, or of deliberation; above all, he utterly forgets that it is his duty to wait for her, if it takes six months, till he wins the soul and passion, as well as the “duty and obedience,” of the mysterious being he calls Wife!—God’s profoundest miracle, the bearer of the mysterious womb.
For the record, the image on the opposite page shows a Masonic piece featuring “sex (point in circle) and death motifs” said to “figure prominently in Masonic symbolism”.
At my vintage living blog, Things Your Grandmother Knew, I’ve written about the tendency to romanticize the past, but I recently read two blog posts discussing vintage fashion in terms of “the vintage girl being the new feminist” and thought it was time to discuss the subject from a more feminist angle…
At Style High Club, Lena Weber writes:
I don’t quite know how it happened or when but far too many women around me seem to want to look like a porn actress these days. Or why else would they wax off their pubes, slather themselves in Fakebake and state Page Three Girl in their career goals? There is something about the passivity of this particular idea of femininity – there to be stared at, cum onto – that I find deeply infuriating. It’s just sad that we’re all meant to look like little plastic sex dolls – fake eyelashes, fake hair, fake tan, fake boobs.
To my relief (no really, it is!) there is a great big social group of women out there who don’t buy into this image – the vintage girls. Although the vintage scene is splintered into smaller subfractions of particular decades, musical styles, dances and activities, the one thing all these vintage-loving women have in common is their embrace of an altogether different femininity, one that’s individual, one that harks back to a time when glamour was exotic and empowering.
At Retro Chick, Gemma Seager responds with something I was eager to point out:
It’s easy to say that this isn’t new, 1950s Pin Ups weren’t exactly sold on their educational qualifications, and the idea of a woman whose goal was to marry a rich man and live happily ever after is hardly a new concept either. That’s why we had the “bra burning” feminists of the 60s and 70s. They stood up for the rights of women to be whatever they wanted to be.
But then Seager heads right down Weber’s path:
In the last 2 decades the internet has seen a progressive pornification of culture till it seems that women now feel that they can’t assert their own sexual independence, that they have no choice but to buy into this porn star, brainless ideal of female beauty and passive sexuality. They are modern day Stepford Wives, emotionally passive and sexually compliant. Brainwashed by television, magazines and the internet into thinking they can’t make emotional demands and that sexual liberation means always wanting to have sex.
Maybe it’s because I am (I’m pretty sure) at least a decade older than these women, or maybe it’s because I am a history nut who gets obsessed with research, but I’m thinking that these two women (and the majority of those who have commented at their sites) are missing something quite important from all of this. And that something is context.
If we look at “today” and compare it to the past, yes, women’s fashions seem to be much more skimpy. [Until, at least, you notice how a New Look wiggle dress is as fitted as any spandex dress — and realize that beneath that vintage wiggle dress or pencil skirt there’s a whole lot of foundation garments making sure the female figure is as hourglass, smooth, and popping (eye-popping and fabric-testing), and as it can be. More on that later.]
Every generation has declared the next one will be the ruin of fashion, morals, and even civilization. In fact, every decade and fashion trend has resulted in criticism — often for the wearer too. Hemlines went up and dared to show ankles — so women could dare to ride bikes! That may seem antiquated to us now, so let’s look at the styles and decades that most vintage fashionistas wear, such as New Look and Mod.
When New Look fashions hit the market, they were not applauded. In Popularizing Haute Couture: Acceptance and Resistance to the New Look in the Post-1945 United States (Americanist: Warsaw Journal for the Study of the United States; October 2007, Vol. 24, p143), Sylwia Kuzma writes:
The New Look promoted a vision of femininity, epitomized in a full-bosom-and-curvaceously-hipped hourglass figure, dressed in lace, fur, and diamonds. Despite the patronage of large New York and San Francisco department stores, it’s reception by the American public was far from unanimous fascination and acceptance.
Some found the look too decadent to be seemly. Some were incensed that Dior’s New Look would require them to be padded. Others found the below-the-knee hemlines frumpy. (Images from a 1948 magazine via.)
A decade later, when the first babydoll nighties and dresses hit the scene, many found them obscene.
The point is, with every hemline, waistline, and neckline movement tongues go a-waggin’.
Today, Bettie Page is held up as a prime example of a cheeky risque pinup to be emulated and adored. She is such an icon for vintage fashion lovers, that many stores, designers, brands, websites, and events use the name Bettie to garner attention. But she’s The Notorious Bettie Page for a reason — her pinup photos were the subject of censorship and she herself was a target of a US Senate pornography investigation. The adoration of Bettie Page as “cute” and “classy” raises the ire of many, including sex workers — many of whom already feel shunned by feminism. To many, this co-opting of Page for “good girls” is a theft they won’t stand for.
Which brings us to the matter of vintage glamour being “exotic and empowering”…
Those are the very words many use to describe their sex work and to defend a sex positive or even “pornified” culture. In many ways, today’s sex workers and pornified pop culture icons control their bodies far more than the women of decades ago. The 1950’s woman put on an exaggerated-hourglass Dior dress to lure in Mr. Right for marriage. Once she “caught” her man, she put on a golden wiggle dress to serve cocktails to her husband’s boss; a pretty little prop in her husband’s life. When The Little Woman needed to be medicated in order to endure her life, her doctor talked to her husband-daddy, so he could make the decisions for her — as if she were a child. Does that seem glamorous, exotic, or empowering?
Wearing vintage fashions may be moving the hemlines, waistlines, and necklines back in time, but does that move women forward towards equality?
Yes, fashion sends messages about who we are — at least at that moment. But, ultimately, what defines a person is their actions. And if we start labeling and denigrating people for what they are wearing, then we are on a very slippery slope . This is especially true for women because of that whole “what she’s wearing is asking for rape” thing. Not to mention that whole “what does a feminist look like” argument that no body wins.
Our bodies belong to ourselves. We’ll dress them ourselves, to please ourselves, and we’ll be the kind of person we wish to be.
The women’s health movement of the 1960s and 1970s transformed the doctor-patient relationship and yielded the novel concept that women can take control of their own health, says Laurie Edwards in this excerpt from “In the Kingdom of the Sick.”…
For women, this change started with the radical notion that they had a right to know about their own bodies, had a right to control their own health care and belonged in medical schools where they could fully participate in the very health care decisions that have such significance in their lives. The grassroots women’s health activism that emerged in the late 1960s and early 1970s was fostered by an equally diverse group of advocates, among them middle-class white women, middle- and working-class African Americans, lesbians and heterosexuals.
Remember that scene in Mad Men, where Betty’s doctor calls Don & talks to him about Betty as if she were the child? This is how we got away from that.
“Feminism challenged social practices in the doctor’s office and recast relationships between compliant patient and infallible physician as part of the larger process to keep women down.”
But we must also look at this history and see how we are moving backwards in America; this is also a dire warning about where we are headed.
“The landmark court case Roe v. Wade, which legalized abortion in 1973 by finding that preventing a woman’s right to end her pregnancy violated her due process, was a pivotal piece of legislation in terms of reproductive rights, women’s health and women’s ability to make decisions regarding their bodies. ”
See on womensenews.org
Image: Nicole Marie Edine on Flickr.
Because I’m not a sexist, I thought I’d do a companion piece of sorts to this post and cover a bit of history regarding male hair — just a little link round-up of male facial hair history.
Did you know that there was once a beard tax for men? Yup, at least in 1705 there was. Per Russia’s Peter The Great, men either had to shave or pay a tax. They even got a little token to prove they had a legal, and taxed, beard.
There’s a whole book out now on the history of gay beards — the facial kind, not the companion kind (NWS).
Tour a retro pop culture line-up of mustached celebs.
It’s Movember, and the hubby and I love mustaches (or moustaches, if you prefer) and Nick Offerman; but are mustaches campy or sexist?
In fact, some are rethinking this month of Movember that is intended to raise awareness for men’s health issues, saying it can quickly turn into an unfair fetishized game of “hot or not”.
Seeing that this article, Mediocre Sex – The Price Women Pay For Freedom? by Jennifer Kabbany, was published at right-wing college site The Collage Fix, I should have resisted and not given it a click — but, as a wise woman once taught me, you do have to listen to differing opinions. And, hey, maybe it wouldn’t be as bad as I thought.
But I was wrong.
It was bad from the start:
The infamous college campus hook-up culture celebrated by feminists suggests female students love casual, no-strings-attached sex, and enjoy one-night stands without guilt, shame or regret.
Oh yeah – then why aren’t they having orgasms when they do?
Feminism as a movement doesn’t celebrate hook-up culture; it just says that if it is allowed for men, if it is considered a right of passage or otherwise bears no lack of respect for men who do it, then it ought to be the same for women.
The article refers to studies and stories included in an article at the Times, which state that women are twice as likely to reach orgasm in serious relationships as they are in hookups and that casual sex does not bring the physical pleasure for women that men experience. Kabbany wrote:
The Times’ report interviewed several people who had all sorts of ideas as to what’s going wrong in the bedroom, such as that young men don’t care about pleasing a women they see casually, and the twosome doesn’t know each other well enough to know how to get each other off. Predictably, it goes on to quote sources who say sex without orgasms is fine for women seeking to scratch that carnal itch – that “mediocre sex” is the price women pay for freedom.
But the truth is women engaged in casual sex don’t reach orgasm because – on some level – they know they’re selling themselves short. They’re giving away their ace in the hole, pardon the pun, to some guy who barely knows their name and is likely too drunk to remember it in the morning. They’re offering themselves to a man who has committed nothing to them, cares nothing for them.
This isn’t about “inequality” in the bedroom, as the Times suggests. It’s about women with low self-esteem, who set the bar low for themselves, who search for affection and affirmation in the wrong way.
These studies prove that even if campus feminists are fooling themselves, their not really fooling themselves. Their subconscious knows the truth. Sex Ed 101 tells us that females climax on emotional/mental levels while men climax to physical/visual ones.
I obviously don’t agree with Kabbany. But she also missed some of the key points in that Time‘s article by Natalie Kitroeff:
By contrast, roughly three quarters of women in the survey said they had an orgasm the last time they had sex in a committed relationship.
“We attribute that to practice with a partner, which yields better success at orgasm, and we also think the guys care more in a relationship,” Dr. England said.
Indeed, young men surveyed in Dr. England’s study often admitted that they are less focused on sexually pleasing a woman they are seeing casually than one they are dating.
Duvan Giraldo, 26, a software technician in Elmhurst, Queens, said that satisfying a partner “is always my mission,” but added, “I’m not going to try as hard as when I’m with someone I really care about.” And with women he’s just met, he said, it can be awkward to talk about specific needs in the bedroom.
“You’re practically just strangers at that point,” he said.
The lack of guidance is common, Dr. England said. “Women are not feeling very free in these casual contexts to say what they want and need,” she said. Part of the problem, she added, is that women still may be stigmatized for having casual sex.
Dr. Garcia said, “We’ve been sold this bill of goods that we’re in an era where people can be sexually free and participate equally in the hookup culture. The fact is that not everyone’s having a good time.”
What women need to achieve orgasm can be very different from what they find in casual sex. Roughly one-quarter of women reliably experience orgasm through intercourse alone, according to a review of 32 studies conducted by Elisabeth Lloyd, a professor of the history and philosophy of science at Indiana University, in her 2005 book “The Case of the Female Orgasm: Bias in the Science of Evolution.” Another third of women rarely or never have orgasms from intercourse.
This highlights several key points. One, it’s pretty clear that people like Kabbany are illustrating Dr. England’s point about stigmatizing women, and, two, men who don’t care are often men who don’t care. But almost everyone is forgetting that women’s orgasms are more complicated to learn to achieve period.
Unlike the simple male organ (upright & locked in position in front, rendering it uber visible, its secrets easy to decode), female genitalia is more elusive (not only virtually hidden but offering more options). It takes more time for females to learn how to manipulate, arouse, and reach orgasm. (Note: It takes about the same amount of time for men and women to reach orgasm; it just takes more time for women to learn how to do this. Which is why I am so in sync with what U.S. Surgeon General Joycelyn Elders was addressing.) Given the physical and cultural complexities, how many college-age women know both how to please themselves and how to communicate that to another? Shit, how many women even know how to do this in their 30s.
Feminism is all about a woman’s right to embrace her sexuality. That includes masturbation, hook-up sex, sex in relationships — any safe, sane, and consensual sexual act a woman wants. And without shame or regret. But feminism does not “celebrate” hook-ups, as if they were mandatory. Not for anyone, man or woman. And feminism certainly doesn’t expect women to suffer mediocre sex because that’s what men want.
As Shanté Cosme writes in Why Sorority Girl Rebecca Martinson Writing About Double Blowjobs is Terrible for Ladies and Completely Our Fault, one should not confuse embracing one’s own sexuality with trying to please others — and in this case, we are talking about women trying to increase their value by trying to please men. Trying to please men in any capacity is not feminism.
I have not been doing a lot of “link round-up” posts since I’ve been curating at Scoop.it, but sometimes I will still find a thing or two which will spawn so many quick thoughts that it seems best to fire all the rounds in one quick-draw post. That’s certainly the case today as one vintage image and one blog post have me quickly shooting from the hip.
Via this post at Doc Blue’s Bullshit Emporium, I found this vintage ad for Jeris Hair Tonic at Retro Adverto. Along with the horrid ad copy, there’s the racist and gender obscene headline:
“I Knew,” Said The Sioux, “That Squaws Would Go For His Scalp”
I don’t know that I actually have to beat all the dead horses in this vintage ad, do I? With so much horribleness going on, it’s hard to imagine that Jeris would survive; but the company — and it’s hair tonic — is still around today. I do hope they die a little on the inside whenever this ad is resurrected.
While we are on the subject of hair…
Lip Mag has a piece on hair: crowning glory: hair, sex and gender. My profound dislike for the absence of capitals in headlines aside, the post is rather provocative and worthy of a good read. However, it is a bit incomplete. I don’t think it is proper to discuss or rant about such things as “long and blonde” being the ideal femininity standards for women’s hair without pointing out that there are some biological reasons for this.
Often, “beauty” is really just about genetics, healthy children, and the survival of the species. Long hair is a sign of health, and health is genetically preferred. Lighter hair, especially blonde hair, is often an indicator of youth and therefore fertility. The fair skin which typically, naturally, accompanies the blonde hair also makes it easier to see signs of disease, infestation, infection, and the like. Such blemishes are signs of genetic weakness, aging, or other potential problems with the viability of offspring. This is all hardwired into humans biologically. It’s primal evolution. This is why fake blondes enjoy the same attention as natural blondes; for even when everyone knows they’re seeing a bleach-bottle-blonde, the sight triggers an unconscious response of, “Yes, this is preferred genetic material.” This biological drive is what is sets many “beauty standards”. And since blondes, especially the light-white-skinned and blue-eyed variety, are fewer in numbers, their rarity is akin to “coveted and collectible”. [After decades of hair styles, lengths, and colors I know (NWS) that blondes do have more fun — if by “fun” you mean “attention.” Not all of it positive, either; especially when the attention is from other women (NWS). Women hating or deriding blondes, real or fake, is like any other body shaming issue and should be stopped.]
While genetics and evolution are typically not conscious thoughts in the process of calling someone “beautiful” or “attractive”, there are many recorded acts of using beauty standards as markers for desirability in gender and race. From the Bible and organized eugenics programs to the less organized attacks of societal judgements (NWS), history shows that women have been — and continue to be — judged, humiliated, marked, and controlled by their hair.
This brings be back to the aforementioned issue of “scalping” and how I often feel that the current trend in removing the pubic hair of women is not unlike the “pussy scalping jokes” of the past (NWS). It’s not only racist, but all about controlling women and their bodies.
There obviously some errors in the text — the misspelling of Bettie Page as “Betty Page” and frankly, I am completely lost in the description of this paper doll for playboys…
However, this post is not about the text or even the fact that you almost expect one of the options to be a smooth Barbie-doll-esque image to make Bettie go bottomless; it’s about the art of Lou Magila.
Jim Linderman of Vintage Sleaze doesn’t like this artist — or at least the guys’ works. But I have to vehemently disagree.
As a woman, I often find the most real thing about a man’s fantasy is the image of a pinup or media babe inserted into some sketchy scenario. Like the pornos with the world’s luckiest pizza delivery dudes, the scene isn’t as important as just getting to the babe.
Yes, a lot of attention is being brought to the fact that the women in the photos do not even look like the women who posed for them; but the only thing faker than the photoshoped objects of desire are the scenes and situations in which men place the perfected images of women. Is there anything wrong with that? No; they are fantasies after all. (Expecting them to be real is another matter entirely, and one at the very definition of “sanity”.)
So what’s wrong with cartoons, illustrations, comics that capture that luscious and ludicrous point of view? There’s something rather charming about the obviously juvenile approach to just sticking the woman into the simple bare lines. It makes me feel like the artist was aware of how simplistic fantasies are. I don’t know Magila; maybe he was self aware, maybe not. But like a lot of art, you just look at it and get impressions. My impression is that this artist was aware.
Did Magila rip-off other artists? Maybe he or the publisher paid for the rights; maybe not. Maybe, like the altered artists, digital artists, bloggers,etc. of today, artist and publisher alike just figured if they had their hands on something that meant it was in the public domain. Or perhaps they felt that there were enough changes to defend Maglia’s work as derivative. So far, the answers to those intellectual property rights are as unclear as the artist’s level of awareness of the simplicity of male fantasies.
I hope Linderman continues to suss things out.
Have you heard about the big Bob Guccione auction that’s being held today?If you haven’t, get over there and look now! This post will be waiting for you when you get back.
Among the erotic offerings from the estate of Penthouse founder, there are Kathy Keeton items up for auction. Who was Kathy Keeton? For starters, Keeton was Guccione’s longtime girlfriend and eventual wife. But she ought to be remembered for far more than that.
Remembering Keeton just for her relationship with Guccione would be like simply dismissing Keeton for her beauty. True, Keeton, was beautiful; a ballerina who ended up on the burlesque stage stripping and with small parts in British B-movies, she was beautiful in face and form. But along with those attributes she was damned smart.
Kathy Keeton was one of the first women in magazine advertising sales. Sure, she was working for Penthouse; and that might upset a few women (then and now) who find all sexuality degrading to women. But at that time, there were few women in magazine publishing — other than Ms, of course. Keeton would help shape the future of Penthouse, especially the US edition, by directing the publication’s marketing efforts; she would co-found, write, and work for OMNI; run Viva: The International Magazine For Women; found a newsletter called Longevity which would become an international magazine; author books; as well as play a fundamental role in strategizing the long-term plans for the company, General Media Communications Inc., which published the magazines. Through it all, Ms. Keeton was noted for her leadership and advancement of women in publishing, including Anna Wintour (Vogue) and Nancy LeWinter (of Mode).
More than a magazine publisher, Keeton knew media in general and was among the first to see the potential of what we now call digital media. She was instrumental in Penthouse’s move to video and, later, the Internet. As early as 1992, Keeton was onto something that many publishers today are struggling to get:
She dreams of eventually putting her magazines on disks. “Niche magazines are the future,” Keeton says. On the high-tech side, she adds: “Knowledge is a key commodity now. Publishers are sitting on a gold mine of software.”
At the time of her death in 1997, 58 year-old Keeton was both president and chief operating officer of General Media Communications Inc. and vice chairman of the holding company that oversaw the publishing arm, General Media International. This was in addition to not only battling breast cancer but the National Cancer Institute (NCI) as well. (Keeton wouldn’t die from cancer, but rather from complications during intestinal obstruction surgery.)
Since Penthouse would beat Playboy in sales (and, subjectively, in other areas as well), it’s a shame that Guccione doesn’t have a bigger name than Heffner; but worse still is how so many have forgotten about Kathy Keeton. Even the official Guccione Collection website has little about her.
I hope to do more research & writing on Keeton; until then, here’s a quick list of her films: Carlton-Browne of the F.O. (Man in a Cocked Hat in the US, starring Peter Sellers, 1959), Expresso Bongo (1959), Too Hot to Handle (released in the United States as Playgirl After Dark, starring Jayne Mansfield, 1960), and The Spy Who Came in from the Cold (starring Richard Burton, 1965).
On this date, November 6th, in 1967 a baby girl was born; just 21 years later, on July 18, 1989, she would be murdered.
The woman was Rebecca Schaeffer, an actress most famous for her role as Pam Dawber’s sister Patti Russell in the CBS sitcom My Sister Sam. For some of you youngsters, this might be before your time. (Perhaps all you know of Schaeffer is that she was the inspiration for the 2002 Jake Gyllenhaal film Moonlight Mile; the film is said to be loosely inspired by writer/director Brad Silberling, who was dating Rebecca Schaeffer at the time of her death.) But I remember distinctly being a young 24 year old woman and being shaken by the news of her death. Her age being so close — even younger than my own — pierced my youthful resistance to mortality; but what was worse was the way Schaeffer died.
Schaeffer was murdered by a stalker, a man who considered himself a fan — until God instructed him otherwise. This man-fan named Robert Bardo had adored Schaeffer’s youthful innocence, but disliked her new work as an actress when a small roll in Scenes from the Class Struggle in Beverly Hills put her in bed with a male character. “If she was a whore, God was going to appoint me to punish her,” Bardo said. His mission now was to “stop Schaeffer from forsaking her innocent childlike image for that of an adult fornicating screen whore.” Or at least that’s the story he would later tell after he stalked Schaeffer at her home, was rebuffed, and retaliated by shooting her to death.
Whatever motivated Schaeffer’s murderer, the fact is that her murder finally motivated the public to care about stalking. As is unfortunately the case in our celebrity-obsessed culture, it took the death of a celebrity like Schaeffer to generate awareness and concern. Such concern over Schaeffer’s death would even lead to protective legislation.
The majority of stalking, of course, occurs in the regular (non-celeb) world — and in the context of domestic violence or other situations involving everyday people the victims know. According to the National Center for Victims of Crime (NCVC) most recent fact sheet (August, 2012), the majority of stalking victims are stalked by someone they know, with 66% of female victims and 41% of male victims of stalking are stalked by a current or former intimate partner. When it comes to femicide:
* 76% of intimate partner femicide victims have been stalked by their intimate partner.
* 67% had been physically abused by their intimate partner
* 89% of femicide victims who had been physically assaulted had also been stalked in the 12 months before their murder
* 79% of abused femicide victims reported being stalked during the same period that they were abused.
* 54% of femicide victims reported stalking to police before they were killed by their stalkers
Now all 50 states, the District of Columbia, the U.S. Territories, and the Federal government recognize stalking as a crime; however well, or not well, police and other officials may respond, strides have been made.
Yet there is another huge unresolved issue that is brought to light with the murder of Rebecca Schaeffer: Rebecca was murdered with an illegally purchased handgun, but gun control has only gotten worse here in the USA — and by that I mean less gun control.
Since Rebecca Schaeffer’s death in 1989, her mother, Danna Schaeffer, has remained consistent in her concern, saying, “I’m angry at the system that allows things like this to happen, that allows a deranged person to get his hands on a deadly weapon.” Since then, Danna Schaeffer has lobbied and fought for sane gun control. In 1991, she went door-to-door at the Capitol lobbying for a ban on assault weapons and an end to the old gun show loophole on criminal background checks. She co-founded Oregonians Against Gun Violence (OAGV). And she continues to speak out today. But despite her actions and the actions of many, politicians still refuse to take necessary action to protect innocent Americans. What more we need? Why wasn’t Sandy Hook enough? Why has public demand for gun control waned? Do we need a celebrity massacre to make us give a damn?
Today, on the anniversary of Rebecca Schaeffer’s birth, let’s not only remember her, but do something. Contact your legislators and let them know that you demand stricter gun control laws. Now Is The Time.
This is the cover of The Way To His Heart “A Cookbook with a Personality”, 1941; note the figures on the cover.
The five female figures on the cover of this vintage cookbook depict the five cooks featured in the book itself. These five women are said to be three generations of one family. From the bottom left working our way to the top right are “Grandmother” Grace Toulouse Hunt, “Mother” Priscilla Wayne Sprague, “Newly Married Daughter” Dorothy Hunt Hales, “Collegiate Daughter” Jeanne Wayne Sprague, and “Teenage Daughter” Nancy Grace Sprague.
While I can admit to certain body changes in terms of aging, I find the rounding of age in proportion to hem length somewhat amusing… Not only is Grandma rather stout, but combined with her nearly floor-length dress she closely resembles a Russian nesting doll. And notice how only newly married Dorothy has curves in all the right places — illustrating her appropriate fertility status. (Heck, her proportions make me want to ask the new wife when she’s going to have a baby!) Perhaps even more amazing, this illustrated figure study of body image stereotypes is the artwork of one of these women; at least Dorothy “Dot” Hunt Hales is the artist credited. (More on that later.)
The story or “personality” behind this cookbook is that newlywed Dot writes home to her mother asking for some recipes. The occasion is the wonderful celebration of their 6 month wedding anniversary and the young bride has learned how important cooking and food is to her marriage:
I have discovered one important thing in the past six months — glamour and romance can be preserved in marriage if one’s husband is well-fed and comfortable.
Mother is, of course, no doubt delighted her daughter has seen the light and become a believer in the old adage that the way to a man’s heart is through his stomach. Not only is mom thrilled to help her wise and dutiful newly married daughter Dot, but mom enlists the help of Dot’s grandmother and sisters. These are their “letters” from the front of the vintage book:
And then, the most amazing thing happens! “One of the top men of Jack Sprat Foods, Inc., heard about it” and they decided to publish the cookbook! Enter Western Grocer Company, owner of the food brand, as publisher; enter the advertisements for Jack Sprat brand foods.
While the “homey, friendly” premise seems rather contrived to the jaded consumers of today (and the corporate ads themselves also draw into question Dot’s artwork), the book’s editor, Priscilla Wayne Sprague appears to be an actual author. But the proposed family relationships get a bit confusing…. My research continues and shall be reported soon. (Watch this space.)
I also have to share some information from the vintage cookbook’s section by college daughter Jeanne. Jeanne’s appearance certainly tones down any sex appeal, and we are likely to suppose any fears about daughters in college along with it. And even if such imagery might lend itself to jokes about college girl experimentation and stereotypical lesbian dress, the experimentation in the kitchen appears to have been limited — at least for sorority girls.
A College Girl (this one at least) doesn’t really cook at all — sororities provide cooks and sincerely hope they can keep the girls out of the kitchen. There are certain things, however, that the cook just isn’t in on, such as late Sunday sandwiches with you and your date — or rush teas and other occasions of state.
When the cook is out and the girls have free rein in the kitchen, here are some of the foods they can cook. All of these recipes are of the type that can be prepared quickly, cheaply and (for the benefit of the dates) charmingly.
Oh, how can poor Jeanne ever get her M.R.S. degree if she doesn’t cook?!
This vintage book from 1941 has some of the racism you might expect from the 1930s and 40s. At the bottom of the page, Jeanne starts a story which continues on the next page:
One of the girls at the sorority house is Irish — shanty Irish — we call her, because she has simple tastes — fried potatoes, baked beans and such. But one time I tasted the baked concoction she used to make and believe me there was nothing “shanty” about it — it was pure Park Avenue — here it is:
It is recipes like this one, based on canned goods, which certainly marks a change (if not decline) in cooking itself. This turning point in American history turns out to be a good thing for Jack Sprat Foods, Inc. and the Western Grocer Company. The grocery store addresses this issue in one of the advertisements for the Jack Sprat brand:
“Now, when I was a girl,” said Mom
“They used to joke about ‘cooks who were lost without can-openers.’ But it’s just a pleasant smile these days.”
“Why, Mom?” questioned Nancy, giving just the opening Mom wanted.
“Because now we get the very finest foods in cans — just take these Jack Sprat Peaches, for example.” Mom emphasized her point by holding a can at arm’s length.
“These are peaches at their very best — completely ripened on the tree, and canned quickly, to capture the fresh flavor and the precious vitamins all fresh fruits contain. No more sweating over a hot stove for me, when Jack Sprat will do the job for me so well!”
Of course Nancy agrees with Mom. What modern girl wouldn’t rather play tennis or swim on a summer afternoon, instead of helping can fruit in a sizzling kitchen?
Mom’s verdict applies not only to Jack Sprat Peaches, but to pears, apricots, pineapple, and an arm-long list of fine berries. You’ll find it pays to let Jack Sprat do your canning too.
If the convenience of modern canned foods was the advent of more free time for girls and women, perhaps it can be linked not only to the decline in cooking skills but to the decline in the “way to a man’s heart” adage. Men such as Barry Popik say this approach works for dogs and not men; however ironic the dog reference may seem to me, Popik seems to be saying this food-as-lure lore doesn’t work. Also, men at AskMen no longer find cooking on their top list of skills necessary in a female partner. Enlightenment reaches us, maybe? Would that such enlightenment about female body images would change as well.
We’ve all heard the expression “Children should be seen and not heard”, an expression particularly aimed at girls. Well, apparently it was updated in the 1970s to be “Children should be scene and not heard”. Enter Exhibit A, a vintage advertisement for Mary Maxim needlecraft kits which features a little girl dressed to complete a festive holiday scene:
The girl wears a floor-length red dress, much like the table wears a red floor-length tablecloth. Both decorative small female child and small table each wear overlays of fancy white crocheted creations (the Mary Maxim pinafore and tablecloth kits). If anyone can show me an example of this done to boys or men, please do.
The ad was found in the September 1978 issue of Decorating & Craft Ideas Magazine.
A pair of “His and Hers” shot-glasses featuring rather racist images of Africans. One glass, shaded blue, features a man running from a lion with the caption “One for the road.” The second glass, shaded purple, is captioned “A pick me up” and shows a hunter being bested by a rhino. The glasses sit in a little wooden stand which states the set is a vintage souvenir from Barnesville, Minnesota.
These are vintage pieces of Black Americana I do not want to own; we have put them up for sale for the right collector. Contact me here if interested.
At Scoop.It I posted (or “re-scooped”) to several of my curated topics a link to a research study entitled Sharing the Loves: Understanding the How and Why of Online Content Curation. Robin Good of Content Curation World breaks the findings down thus:
a) what people curate as relevant is not generally among the top ranked results according to popular metrics. Good stuff is not the same as what is considered normally popular or authoritative stuff.
b) content curation allows a community to synchronize around specific issues and subjects (as anticipated by Clay Shirky)
c) better and more appreciated curation is of the “structured” kind, providing additional info, meta-data and categorization.
d) curators that are highly appreciated are characterized by consistent activity and by a variety of interests (or viewpoints under the same theme) that they are capable to cover.
This is rather my experience; however, I usually explain it to my clients this way:
a) You can be doing an excellent job, but never receive the recognition, popularity, or traffic you deserve.That doesn’t mean you won’t be appreciated greatly by the smaller group of people who do find/read your curated works.
b) No matter the popularity of your curation, you can build and have conversations — but remember, community cultivation not only requires additional time, but a different skill set.
c) If you’re going to do it, do it well. Use tools, such as labels and tags, and *always* provide context as well as proper credits and links.
d) Consistent activity is nearly as important as showing some personality along with your knowledge. Your topic may be narrowly focused, but offer additional topics and information about you personally (not just professionally) so that people get a sense of you.
More on curation here.
From a vintage party planning booklet, this tip on decorating chairs to look like tombstones. For Halloween parties and other macabre meetings.
A vintage advertising blotter, likely from the 1930s — 1940s, which focuses on a male geriatric problem.
The blotter reads as follows — and it should be noted that the print gets smaller as it goes along (which is cruel in many ways for an aging male, I say):
A GERIATRIC PROBLEM
One of the problems of middle age is loss of sexual power in men who are still capable of raising a family. In such cases and effective aphrodisiac may be indicated.
POTENT APHRODISIAC
XANTHINUX (Cole) stimulates masculine potency through the spinal cord, just as a strong cup of coffee stimulates the thinking centers of the brain. The result is a firmer, more vigorous erection and orgasm.
Reports from various physicians show that XANTHINUX not only boosts male potency but also has a euphoric action.
Because of its strong aphrodisiac action, XANTHINUX is not recommended in cases where sexual intercourse should be curtailed; elderly men with severe cardiac conditions or arteriosclerosis.
Samples & Professional Literature on Request.
From the Cole Chemical Co., St. Louis 8, MO. U.S.A. [Printed in U.S.A. (form) 549.]
Further research shows that Xanthinux was a combination of strychnine (yikes!), caffeine, and theophylline. Big shocker here: in 1963, medical reports on Xanthinux state that there’s “no evidence that it acts as a sexual tonic.”
Plus there’s that whole strychnine-poison thing.
However, culturally speaking, I do find the reference to “men who are still capable of raising a family” a line that’s absolutely missing in today’s recreational & romantic messaging about ED. Which, naturally, speaks extra loudly in today’s world of restricted women’s rights.
See also this vintage pharmaceutical advertising blotter for women.
Women’s Yellow Pages of Greater Milwaukee, 1995-1996. (Please refrain from jokes about “fingers doing the walking” among the women of Milwaukee. Thank you.)
Today, Yellow Pages & phone books in general seem so quaint…. And women themselves today? Not exactly “quaint”, but certainly undervalued. So I was amazed to find out that such Women’s Yellow Pages still exist in some areas.
Related: My article at Collectors Quest regarding the history of telephone books.
The following comes from the September 1916 issue of Home Needlework magazine. While the embroideries are lovely, the fashionable craze for Orientalism at that time certainly had more than its share of racism.
The “new woman” rode bicycles — and she smoked and likely even chewed tobaccie. So it makes sense that folks would advertise tobacco directly to her. In this antique tobacco ad, the angel of morality and the home is to be sold on the idea of getting said tobacco for her man — but it’s difficult not to find the “Battle Ax” name sending yet another message about how she should stop bitching about the gentleman’s use of tobacco products. Ad via my husband’s website, Dakota Death Trip.
“The New Woman”
Battle Ax Plug
A Great Big Piece For 10 Cents
The “new woman” favors economy and she always buys “Battle Ax” for her sweetheart. She knows that a 5-cent piece of “Battle Ax” is nearly twice as large as a 10-cent piece of other high grade brands. Try it yourself and you will see why “Battle Ax” is such a popular favorite all over the United States.
A Movement Of Women Rising Up To Transform Body Image In Mass Media Through Untouched Photographs, Essays, Audio, And Video! Book Volume 1: Mothers Is Coming Feb 2014!
Just incredible!
In the history of dating & sex, there’s been a plethora of men pretending to have written the book on getting women. They always think they are the one who “knows, and knows, and knows”. But they don’t.
Most of them are funny; but not as charming as Harold Lloyd in Girl Shy (1924).
I think when my mom and grandma let me watch General Hospital as a toddler, they meant it as a form of baby-sitting. They had no idea I’d go on to use it as my perpetual guide to life….
See on www.glamour.com
See on www.facebook.com
As this type of porn gains visibility, it reflects a greater demand for explicit sexual representations among women, where sex isn’t always a “ribbon-tied box of happiness and joy,” say editors in this excerpt from “The Feminist Porn Book.”
…With the emergence of new technologies that allow more people than ever to both create and consume pornography, the moral panic-driven fears of porn are ratcheted up once again. Society’s dread of women who own their desire, and use it in ways that confound expectations of proper female sexuality, persists. As Gayle Rubin shows, “Modern Western societies appraise sex acts according to a hierarchical system of sexual value.” Rubin maps this system as one where “the charmed circle” is perpetually threatened by the “outer limits,” or those who fall out of the bounds of the acceptable.
On the bottom of this hierarchy are sexual acts and identities outside heterosexuality, marriage, monogamy and reproduction. She argues that this hierarchy exists so as to justify the privileging of normative and constricted sexualities and the denigration and punishment of the “sexual rabble.”
See on womensenews.org
Teens in Steubenville had no idea it was rape. Yale thinks a written reprimand is a good enough punishment for “nonconsensual sex.” There’s an epidemic in this country, and RAPE CONFUSION HAS TO STOP.
See on act.weareultraviolet.org
Trigger Warning: This post mentions sexual violence, reactions to sexual violence, and victim blaming.
Speaking of sexism and comics, this simple 3 panel webcomic tweeted today by @GirlhoodStudies is alllll kinds of genius. It juxtaposes the kinds of reactions people have to hearing about sexual harrassment and, in doing so, shows the viewer how friggin’ hard to is to talk about sexual violence in a meaningful way – as if we didn’t know that already.
See on www.bust.com
(ALSO AVAILABLE AS EBOOK download for iPAD $5.99) Intrigued by the question “Why aren’t there any black pin up girls” on an internet message board, writer Jim Linderman decided to find out.
See on www.blurb.com
